Borneo and the Indian Archipelago: with drawings of costume and sceneryMarryat, Frank
History
Borneo and the Indian Archipelago: with drawings of costume and scenery
Marryat, Frank
Borneo -- Description and travel; Malay Archipelago -- Description and travel
This ceremony being over, they rushed into the centre and gave a most
unearthly scream, then poising themselves on one foot they described a
circle with the other, at the same time extending their arms like the
wings of a bird, and then meeting their hands, clapping them and keeping
time with the music. After a little while the music became louder, and
suddenly our ears were pierced with the whole of the natives present
joining in the hideous war cry. Then the motions and the screams of the
dancers became more violent, and every thing was working up to a state
of excitement by which even we were influenced. Suddenly a very
unpleasant odour pervaded the room, already too warm from the numbers it
contained. Involuntarily we held our noses, wondering what might be the
cause, when we perceived that one of the warriors had stepped into the
centre and suspended round the shoulders of each dancer a human head in
a wide meshed basket of rattan. These heads had been taken in the late
Sakarron business, and were therefore but a fortnight old. They were
encased in a wide net work of rattan, and were ornamented with beads.
Their stench was intolerable, although, as we discovered upon after
examination, when they were suspended against the wall, they had been
partially baked and were quite black. The teeth and hair were quite
perfect, the features somewhat shrunk, and they were altogether very
fair specimens of pickled heads; but our worthy friends required a
lesson from the New Zealanders in the art of preserving. The appearance
of the heads was the signal for the music to play louder, for the war
cry of the natives to be more energetic, and for the screams of the
dancers to be more piercing. Their motions now became more rapid, and
the excitement in proportion. Their eyes glistened with unwonted
brightness. The perspiration dropped down their faces, and thus did
yelling, dancing, gongs, and tom-toms become more rapid and more violent
every minute, till the dancing warriors were ready to drop. A farewell
yell, with emphasis, was given by the surrounding warriors; immediately
the music ceased, the dancers disappeared, and the tumultuous excitement
and noise was succeeded by a dead silence. Such was the excitement
communicated, that when it was all over we ourselves remained for some
time panting to recover our breath. Again we lighted our cheroots and
smoked for a while the pipe of peace.
Public-domain text, read in full here on John Shaqi.
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