Boy Life: Stories and Readings Selected From The Works of William Dean HowellsHowells, William Dean
General
Boy Life: Stories and Readings Selected From The Works of William Dean Howells
Howells, William Dean
Boys
The boys liked to be at the circus early so as to make sure of the grand
entry of the performers into the ring, where they caracoled round on
horseback, and gave a delicious foretaste of the wonders to come. The
fellows were united in this, but upon other matters feeling
varied--some liked tumbling best; some the slack-rope; some
bareback-riding; some the feats of tossing knives and balls and catching
them. There never was more than one ring in those days; and you were not
tempted to break your neck and set your eyes forever askew, by trying to
watch all the things that went on at once in two or three rings.
The boys did not miss the smallest feats of any performance, and they
enjoyed them every one, not equally, but fully. They had their
preferences, of course, as I have hinted; and one of the most popular
acts was that where a horse has been trained to misbehave, so that
nobody can mount him; and after the actors have tried him, the
ring-master turns to the audience, and asks if some gentleman among them
wants to try it. Nobody stirs, till at last a tipsy country-jake is seen
making his way down from one of the top seats toward the ring. He can
hardly walk, he is so drunk, and the clown has to help him across the
ring-board, and even then he trips and rolls over on the saw-dust, and
has to be pulled to his feet. When they bring him up to the horse, he
falls against it; and the little fellows think he will certainly get
killed. But the big boys tell the little fellows to shut up and watch
out. The ring-master and the clown manage to get the country-jake on to
the broad platform on the horse's back, and then the ring-master cracks
his whip, and the two supes who have been holding the horse's head let
go, and the horse begins cantering round the ring. The little fellows
are just sure the country-jake is going to fall off, he reels and
totters so; but the big boys tell them to keep watching out; and pretty
soon the country-jake begins to straighten up. He begins to unbutton his
long gray overcoat, and then he takes it off and throws it into the
ring, where one of the supes catches it. Then he sticks a short pipe
into his mouth, and pulls on an old wool hat, and flourishes a stick
that the supe throws to him, and you see that he is an Irishman just
come across the sea; and then off goes another coat, and he comes out a
British soldier in white duck trousers and red coat. That comes off, and
he is an American sailor, with his hands on his hips, dancing a
horn-pipe. Suddenly away flash wig and beard and false-face, the
pantaloons are stripped off with the same movement, the actor stoops for
the reins lying on the horse's neck, and James Rivers, the greatest
three-horse rider in the world, nimbly capers on the broad pad, and
kisses his hand to the shouting and cheering spectators as he dashes
from the ring past the braying and bellowing brass-band into the
dressing-room!
Public-domain text, read in full here on John Shaqi.
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