Boy Life: Stories and Readings Selected From The Works of William Dean HowellsHowells, William Dean
General
Boy Life: Stories and Readings Selected From The Works of William Dean Howells
Howells, William Dean
Boys
A great new experience which now came to the boy was the theatre, which
he had sometimes heard his father speak of. There had once been a
theatre in the Boy's Town, when a strolling company came up from
Cincinnati, and opened for a season in an empty pork-house. But that was
a long time ago, and, though he had written a tragedy, all that the boy
knew of a theatre was from a picture in a Sunday-school book where a
stage scene was given to show what kind of desperate amusements a person
might come to in middle life if he began by breaking the Sabbath in his
youth. His brother had once been taken to a theatre in Pittsburg by one
of their river-going uncles, and he often told about it; but my boy
formed no conception of the beautiful reality from his accounts of a
burglar who jumped from a roof and was chased by a watchman with a
pistol up and down a street with houses painted on a curtain.
The company which came to the Boy's Town in his time was again from
Cincinnati, and it was under the management of the father and mother of
two actresses, afterward famous, who were then children, just starting
upon their career. These pretty little creatures took the leading parts
in _Bombastes Furioso_ the first night my boy ever saw a play, and he
instantly fell impartially in love with both of them, and tacitly
remained their abject slave for a great while after. When the smaller of
them came out with a large pair of stage boots in one hand and a drawn
sword in the other, and said:
"Whoever dares these boots displace
Shall meet Bombastes face to face,"
if the boy had not already been bereft of his senses by the melodrama
preceding the burlesque, he must have been transported by her beauty,
her grace, her genius. He, indeed, gave her and her sister his heart,
but his mind was already gone, rapt from him by the adorable pirate
who fought a losing fight with broadswords, two up and two
down--click-click, click-click--and died all over the deck of the pirate
ship in the opening piece. This was called the _Beacon of Death_, and
the scene represented the forecastle of the pirate ship with a lantern
dangling from the rigging, to lure unsuspecting merchantmen to their
doom. Afterward the boy remembered nothing of the story, but a scrap of
the dialogue meaninglessly remained with him; and when the pirate
captain appeared with his bloody crew and said, hoarsely, "Let us go
below and get some brandy!" the boy would have bartered all his hopes
of bliss to have been that abandoned ruffian. In fact, he always liked,
and longed to be, the villain, rather than any other person in the play,
and he so glutted himself with crime of every sort in his tender years
at the theatre that he afterward came to be very tired of it, and
avoided the plays and novels that had very marked villains in them.
Public-domain text, read in full here on John Shaqi.
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