Boys and Girls from ThackeraySweetser, Kate Dickinson
General
Boys and Girls from Thackeray
Sweetser, Kate Dickinson
Thackeray, William Makepeace, 1811-1863 -- Characters
Thomas Newcome had now been for three years in the possession of that joy
which his soul longed after, and yet in spite of his happiness, his
honest face grew more melancholy, his loose clothes hung only the looser
on his lean limbs; he ate his meals without appetite; his nights were
restless and he would sit for hours silent, and was constantly finding
business which took him to distant quarters of England. Notwithstanding
this change in him the Colonel insisted that he was perfectly happy and
contented, but the truth was, his heart was aching with the knowledge
that Clive had occupations, ideas, associates, in which the elder could
take no interest. Sitting in his blank, cheerless bedroom, Newcome could
hear the lad and his friends making merry and breaking out in roars of
laughter from time to time. The Colonel longed to share in the merriment,
but he knew that the party would be hushed if he joined it, that the
younger men were happier and freer without him, and without laying any
blame upon them for this natural state of affairs, it saddened the days
and nights of our genial Colonel.
Clive, meanwhile, passed through the course of study prescribed by Mr.
Gandish and drew every cast and statue in that gentleman's studio.
Grindley, his tutor, getting a curacy, Clive did not replace him, but
took a course of modern languages, which he learned with great rapidity.
And now, being strong enough to paint without a master, Mr. Clive must
needs have a studio, as there was no good light in the house in Fitzroy
Square. If his kind father felt any pang even at this temporary parting,
he was greatly soothed and pleased by a little mark of attention on
Clive's part. He walked over with Colonel Newcome to see the new studio,
with its tall centre window, and its curtains and hard wardrobes, china
jars, pieces of armour, and other artistic properties, and with a very
sweet smile of kindness and affection lighting up his honest face, took
out a house-key and gave it to his father: "That's _your_ key, sir," he
said to the Colonel; "and you must be my first sitter, please, father;
for, though I am to be a historical painter, I shall condescend to do a
few portraits, you know." The Colonel grasped his son's hand as Clive
fondly put the other hand on his father's shoulder. Then Colonel Newcome
walked away for a minute or two, and came back wiping his moustache with
his handkerchief, and still holding the key in the other hand. He spoke
about some trivial subject when he returned; but his voice quite
trembled, his face glowed with love and pleasure, and the little act of
affection compensated him for many weary hours of solitude. It is certain
that Clive worked much better after he had this apartment of his own, and
meals at home were gayer; and the rides with his father more frequent and
agreeable. The Colonel used his key not infrequently, and found Clive and
his friend J. J. as a general thing absorbed in executing historical
Public-domain text, read in full here on John Shaqi.
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