Boys and Girls from ThackeraySweetser, Kate Dickinson
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Boys and Girls from Thackeray
Sweetser, Kate Dickinson
Thackeray, William Makepeace, 1811-1863 -- Characters
Smirke and his pupil read the ancient poets together, and rattled through
them at a pleasant rate, very different from that steady grubbing pace
with which he was obliged to go over the _classis_ ground at Grey Friars,
scenting out each word and digging up every root in the way. Pen never
liked to halt, but made his tutor construe when he was at fault, and thus
galloped through the Iliad and the Odyssey and the charming, wicked
Aristophanes. But he went so fast that though he certainly galloped
through a considerable extent of the ancient country, he clean forgot it
in after life. Besides the ancient poets, Pen read the English with great
gusto. Smirke sighed and shook his head sadly both about Byron and Moore.
But Pen was a sworn fire-worshipper and a corsair; he had them by heart,
and used to take little Laura into the window and say, "Zuleika, I am not
thy brother," in tones so tragic that they caused the solemn little maid
to open her great eyes still wider. She sat sewing at Mrs. Pendennis's
knee, listening to Pen reading to her without understanding one word of
what he said.
He read Shakespeare to his mother, and Byron and Pope, and his favourite
"Lalla Rookh" and Bishop Heber and Mrs. Hemans, and about this period of
his existence began to write verses of his own. He broke out in the
poet's corner of the County Chronicle with some verses with which he was
perfectly well satisfied. His are the verses signed NEP addressed "To a
Tear," "On the Anniversary of the Battle of Waterloo," "On St.
Bartholomew's Day," etc., etc., all of which masterpieces Mrs. Pendennis
kept along with his first socks, the first cutting of his hair, his
bottle and other interesting relics of his infancy. His genius at this
time was of a decidedly gloomy cast. He brought his mother a tragedy in
which, though he killed sixteen people before the second act, she laughed
so that he thrust the masterpiece into the fire in a pet. He also
projected an epic poem in blank verse, and several other classical pieces
of a gloomy character, and was altogether of an intense and sentimental
turn of mind quite in contrast with his practical and merry appearance.
The sentimental side of his nature, fed by the productions of his
favourite poets and fanned by the romantic temperament of his tutor, soon
found an object to kindle the spark into a blaze, and a most unfortunate
blaze for Pen.
Public-domain text, read in full here on John Shaqi.
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