Boys' Book of Indian Warriors and Heroic Indian WomenSabin, Edwin L. (Edwin Legrand)
History
Boys' Book of Indian Warriors and Heroic Indian Women
Sabin, Edwin L. (Edwin Legrand)
Indians of North America -- Biography; Indians of North America -- Wars
His pipe was of curiously carved red pipe-stone from the peace quarries
in present Minnesota. The stem was ash, three feet long, wound with
porcupine quills to form pictures of men and animals; decorated with
wood-peckers' skins and heads, and the hair of the white buffalo's
tail. It was half painted red, and notched for the years of his life.
His quiver was of panther skin and filled with arrows, flint pointed
and steel pointed, and some bloody.
His bow was of strips of elk-horn polished white, cemented with glue of
buffalo hoof, and backed with deer sinews to give it spring. Three
months had been required to make it. There was none better.
His lance had a deadly two-edge steel blade, stained with the dried
blood of Sioux and Arikaree and Cheyenne and Assiniboin. The six-foot
ashen shaft was strung with eagle feathers.
His shield was the hide from a buffalo's neck, hardened with hoof glue.
Its center was a pole-cat skin; its edges were fringed with eagle
feathers and antelope hoofs that rattled.
His battle-axe was of hammered iron blade and skull-pecker, with ash
handle four feet long and deer-sinew grip. Eagle feathers and fur
tufts decorated it.
His war-club was a round stone wrapped in raw-hide at the end of a
cow-tail, like a policeman's billy.
After his portrait was painted, Mahtotohpa spread out his wonderful
robe, and told the stories of the twelve battles and the fourteen
scalps pictured on it by his own hand; and these stories included that
of his Arikaree lance, and Cheyenne knife.
The lance story came about in this way. In the shaft of the lance,
near the blade, there had been set an antelope prong; and when
Mahtotohpa posed for his portrait, with the butt of the lance proudly
planted on the ground, he carefully balanced an eagle feather across
this prong.
"Do not omit to paint that feather exactly as it is," he said, "and the
spot of blood upon it. It is great medicine, and belongs to the Great
Spirit, not to me. I pulled it from the wound of an enemy."
"Why do you not tie it to the lance, then?"
"Hush!" rebuked Mahtotohpa. "If the Great Spirit had wished it to be
tied on, it would never have come off."
Whereupon, presently, he told the story of the mighty lance. This had
been the lance of a famous Arikaree warrior, Won-ga-tap. Some years
back, maybe seven or eight, the Mandans and the Arikarees had met on
horses near the Mandan towns, and had fought. The Mandans chased the
Arikarees, but after the chase the brother of Mahtotohpa did not come
in.
Several days passed; and when Mahtotohpa himself found his brother, it
was only the body, scalped and cut and pierced with an arrow, and
fastened through the heart to the prairie by the lance of Won-ga-tap.
Many in the village recognized that as the lance of Won-ga-tap.
Mahtotohpa did not clean it of its blood, but held it aloft before all
the village and swore that he would clean it only with the blood of
Wongatap the Arikaree.
Public-domain text, read in full here on John Shaqi.
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