Bracebridge Hall, or The HumoristsIrving, Washington
General
Bracebridge Hall, or The Humorists
Irving, Washington
England -- Social life and customs -- 19th century -- Fiction; National characteristics, English -- Fiction
The faces of the prisoners were ghastly and disconsolate. Even those
who had been pardoned, and wore the Sanbenito, or penitential garment,
bore traces of the horrors they had undergone. Some were feeble and
tottering, from long confinement; some crippled and distorted by
various tortures; every countenance was a dismal page, on which might
be read the secrets of their prison-house. But in the looks of those
condemned to death, there was something fierce and eager. They seemed
men harrowed up by the past, and desperate as to the future. They were
anticipating, with spirits fevered by despair, and fixed and clenched
determination, the vehement struggle with agony and death which they
were shortly to undergo. Some cast now and then a wild and anguished
look about them, upon the shining day; the "sun-bright palaces," the
gay, the beautiful world, which they were soon to quit for ever; or a
glance of sudden indignation at the thronging thousands, happy in
liberty and life, who seemed, in contemplating their frightful
situation, to exult in their own comparative security.
One among the condemned, however, was an exception to these remarks.
It was an aged man, somewhat bowed down, with a serene, though
dejected countenance, and a beaming, melancholy eye. It was the
alchymist. The populace looked upon him with a degree of compassion,
which they were not prone to feel towards criminals condemned by the
inquisition; but when they were told that he was convicted of the
crime of magic, they drew back with awe and abhorrence.
The procession had reached the grand square. The first part had
already mounted the scaffolding, and the condemned were approaching.
The press of the populace became excessive, and was repelled, as it
were, in billows by the guards. Just as the condemned were entering
the square, a shrieking was heard among the crowd. A female, pale,
frantic, dishevelled, was seen struggling through the multitude. "My
father! my father!" was all the cry she uttered, but it thrilled
through every heart. The crowd instinctively drew back, and made way
for her as she advanced.
The poor alchymist had made his peace with Heaven, and, by a hard
struggle, had closed his heart upon the world, when the voice of his
child called him once more back to worldly thought and agony. He
turned towards the well-known voice; his knees smote together; he
endeavoured to stretch forth his pinioned arms, and felt himself
clasped in the embraces of his child. The emotions of both were too
agonizing for utterance. Convulsive sobs and broken exclamations, and
embraces more of anguish than tenderness, were all that passed between
them. The procession was interrupted for a moment. The astonished
monks and familiars were filled with involuntary respect, at the agony
of natural affection. Ejaculations of pity broke from the crowd,
touched by the filial piety, the extraordinary and hopeless anguish,
of so young and beautiful a being.
Public-domain text, read in full here on John Shaqi.
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