"She is not always melancholy, however; she has occasional intervals, when she will be bright and animated for days together; but there is a degree of wildness attending these fits of gayety, that prevents their yielding any satisfaction to her friends. At such times she will arrange her room, which is all covered with pictures of ships and legends of saints; and will wreathe a white chaplet, as if for a wedding, and prepare wedding ornaments. She will listen anxiously at the door, and look frequently out at the window, as if expecting some one's arrival. It is supposed that at such times she is looking for her lover's return; but, as no one touches upon the theme, nor mentions his name in her presence, the current of her thoughts is mere matter of conjecture. Now and then she will make a pilgrimage to the chapel of Notre Dame de Grace; where she will pray for hours at the altar, and decorate the images with wreaths that she had woven; or will wave her handkerchief from the terrace, as you have seen, if there is any vessel in the distance." Upwards of a year, he informed me, had now elapsed without effacing from her mind this singular taint of insanity; still her friends hoped it might gradually wear away. They had at one time removed her to a distant part of the country, in hopes that absence from the scenes connected with her story might have a salutary effect; but, when her periodical melancholy returned, she became more restless and wretched than usual, and, secretly escaping from her friends, set out on foot, without knowing the road, on one of her pilgrimages to the chapel. This little story entirely drew my attention from the gay scene of the fête, and fixed it upon the beautiful Annette. While she was yet standing on the terrace, the vesper-bell was rung from the neighbouring chapel. She listened for a moment, and then drawing a small rosary from her bosom, walked in that direction. Several of the peasantry followed her in silence; and I felt too much interested, not to do the same.