World War, 1914-1918 -- Campaigns -- Belgium; World War, 1914-1918 -- Personal narratives, Belgian
When the battle of the Yser was over, and the Teuton hordes were
stopped, Nieuport, the advance post of the immense front reaching from
the North Sea to the Vosges, had to suffer pitiless destruction. It
was the ransom we had to pay, because their ineffectual effort had
been crushed by the steadfast defence of our heroes. I was present at
the slow death of Nieuport and, as I had to go there frequently, I
never passed by the heaped-up ruins without experiencing a sentiment
of infinite sadness mingled with revolt. How many times its faithful
admirers questioned me about its fate! How the old city had always
charmed us by its exquisite archaism, with its little narrow,
picturesque streets cut in straight angles, its quaint, yellow-ochre
buildings with their green shutters, its church with the parvis
planted with tall, protecting trees, its imposing Templars' Tower,
its Archdukes' House teeming with memories, and above all its massive
Cloth Hall, proudly situated on the Market Place. What pen can ever
faithfully depict the havoc that seventeen months of war have made of
the exquisite Flemish city we had all known and loved? As far away
as Oostdunkerque, the vision of war begins. The population has been
evacuated and here and there, along the streets, there are shattered
houses. Then comes the winding road across deserted fields and the
triangular wood, that ill-omened wood, where so many of our brave
men fell, where the shells rained down with desperate persistency.
At present, all is sad silence, disturbed only by detonations in the
vicinity, by the sound of a cart passing, or by the measured tread
of troops filing by along the edge of the road. On coming out of the
wood, the horizon is suddenly in view and the sight is heart-rending.
In the background is the town in ruins, and all along the road little
houses that have fallen in. On each side a former arm of the sea cuts
the dreary moor, which is skirted by uncultivated meadows, partially
wooded. Most of the sublime old trees are lying there, all twisted
by the machine-guns, silent for evermore. Some of those which are
still standing seem to be lifting their bare branches heavenwards, in
fruitless protest. We crossed the bridge and the level-crossing, with
its little guard-house. The latter had fallen on to a cart, which now
stood there unable to move under its unexpected burden. And there,
with its Boulevard leading to the old station, all perforated now with
enormous craters, are the first houses of the town. The deflagrations
were all brittle, and we were in the very midst of the furnace. It was
a vision of all that is horrible and, above everything else, there was
that indescribable, persistent odour of rubbish, dust, and death....
Other martyred towns allow the spectator time enough to become
accustomed to the frightful vision. The farther one goes, the more do
the wounds appear huge and cruel. But here, the chaos and ruin strike
one immediately.
Public-domain text, read in full here on John Shaqi.
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