Brave British soldiers and the Victoria Cross: a general account of the regiments and men of the British Army, and stories of the brave deeds which won the prize "for valour"
History
Brave British soldiers and the Victoria Cross: a general account of the regiments and men of the British Army, and stories of the brave deeds which won the prize "for valour"
Great Britain -- History, Military -- 19th century; Great Britain. Army -- Biography; Soldiers -- Great Britain -- Biography; Victoria Cross
We have always looked upon Colonel Cameron, of the 92nd Highlanders, who
fell at Quatre Bras, as the beau idéal of a Highland officer; no one
entered more warmly into the feelings of his men, or was more successful
in gaining their confidence. They looked up to him as their natural chief
and protector; they appealed to him when they had any grievance, and
they never appealed in vain. They delighted to observe that he had all
the tastes and feelings of a Highlander; that he was familiar with the
accents of the mountain tongue, and was passionately fond of Highland
music. He was proud of the pipers of his regiment, whom he always treated
with the greatest kindness and consideration. When marching at the head
of his regiment, it was his delight to see them around him, and to listen
to their martial music. He thus acquired an influence over his men,
which no officer, ignorant of their language, music, and most cherished
associations, could ever have obtained. They were ready to follow him
anywhere, and when he fell, they wept for him as a father. At the battle
of Vittoria, he was ordered to seize the heights, and to hold them while
he had a man left. No order could have been more welcome; he ordered the
pipers to play the “Cameron’s Gathering,” and inspired by the war-notes
of this favourite pibroch, the 92nd rushed up the steep declivity and
carried all before them. They made good their position, and retained it,
though exposed to a most destructive fire, which thinned their ranks, but
failed to shake their courage or to silence the shrill notes of their
favourite instrument.
Public-domain text, read in full here on John Shaqi.
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