Brave British soldiers and the Victoria Cross: a general account of the regiments and men of the British Army, and stories of the brave deeds which won the prize "for valour"
History
Brave British soldiers and the Victoria Cross: a general account of the regiments and men of the British Army, and stories of the brave deeds which won the prize "for valour"
Great Britain -- History, Military -- 19th century; Great Britain. Army -- Biography; Soldiers -- Great Britain -- Biography; Victoria Cross
At the storming of Ciudad Rodrigo, which was captured on the 6th of
April, 1812, after a desperate resistance on the part of the French,
Lieutenant Alexander Grant, of the 74th Highlanders, leading the advance,
was the first to enter the castle, but fell in the moment of victory.
John M’Lauchlan, the regimental piper, particularly distinguished
himself on this occasion. He was the foremost in the escalade, and on
mounting the castle wall, began to play the regimental quick step, “The
Campbells are coming.” Animating his comrades by the lively strains of
this favourite air, he marched along the ramparts at the head of the
advance, with as much coolness as if he had been on the parade ground.
A shot from the enemy pierced the bag of his instrument, and stopped
his music for a time, but John realized the importance of the occasion,
and proved himself equal to it. If the music ceased, the courage of his
comrades might flag, and the victory, already half won, might be lost:
it should never be said that he failed in his duty; so he quietly seated
himself on a gun carriage, and amid a hurricane of shot and shell, began
to repair his instrument, which was speedily done. In a few minutes “The
Campbells are coming” was heard again amid the roar of battle, and John
had the satisfaction of witnessing the surrender of the fortress. If he
attributed the success of the day partly to his own almost superhuman
efforts, we must not be too hard upon him. “As proud as a piper” has
become a proverbial expression in the north, and whoever has witnessed
a contest of some score of pipers, and seen them strutting backward and
forward on a raised platform, with inflated cheeks and waving tartans,
will at once perceive its accuracy.
Much more might be said of our friends, the pipers, and we are almost
loth to part with them. We might have told how one who was attacked by a
French cuirassier at Waterloo took deliberate aim at him with his pipe,
when the Frenchman, believing it to be some infernal machine, turned his
horse and rode off at full speed, and how another, assailed by a tiger in
India, blew such a blast on his instrument that the animal rushed into
the thickest depths of the jungle to escape from the fearful sound.
But space fails us. The golden age of the pipers is gone for ever; the
college of Skye has ceased to issue its diplomas, and the wail of the
pibroch may be heard more frequently in Canada and Australia than in the
Highlands of Scotland. The warlike race who fought our battles and shed
their blood so profusely in our defence, has removed to other lands, and
the bleating of sheep may be heard in the valleys they once occupied.
Lowland lairds, without the shadow of a claim to rank as chiefs, without
a drop of Celtic blood in their veins, have gratified their vanity and
striven to enhance their importance by surrounding themselves with
pipers, and have thus incurred the sarcasm of Bon Gaultier in one of his
witty poems:—
Public-domain text, read in full here on John Shaqi.
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