Finally, she who had noted so many last survivors was herself the last of a company more venerable than eagles, or ravens, or old-world yeomen, or antique customs. She would not, in any case, be the first forgotten. As it is, her honored name will live for generations in the traditions of the valleys round. If she was studied as the poet's wife, she came out so well from that investigation that she was contemplated for herself; and the image so received is her true monument. It will be better preserved in her old-fashioned neighborhood than many monuments which make a greater show. "She was a phantom of delight When first she gleamed upon my sight; A lovely apparition, sent To he a moment's ornament; Her eyes, as stars of twilight fair; Like twilight's, too, her dusky hair; But all things else about her drawn From May-time and the cheerful dawn; A dancing shape, an image gay, To haunt, to startle, and waylay. * * * * * And now I see, with eye serene, The very pulse of the machine; A being breathing thoughtful breath, A traveler between life and death; The reason firm, the temperate will, Endurance, foresight, strength, and skill; A perfect woman, nobly planned, To warn, to comfort, and command; And yet a spirit still and bright, With something of an angel light." HARRIET MARTINEAU IN 1859. * * * * * IX. MADAME MALIBRAN. (BORN 1808--DIED 1836.) HER CAREER AS A SINGER--KINDNESS OF HEART. Marie Felicita Garcia, who died at the early age of twenty-eight, was one of the greatest singers the world has ever known. Born at Paris in 1808, according to some biographers at Turin, she was the daughter of Manuel Garcia, the famous Spanish tenor singer, by whom she was so thoroughly trained that she made her first public appearance in London March 25, 1826, and achieved a remarkable and instant success. She sang with wonderful acceptance in different parts of England, and in the Autumn of the same year came to America as prima donna of an opera company under the management of her father. In New York her success was without precedent. In the memory of many aged people there she still holds her place as the Queen of Song. In the following year she married Eugene Malibran, an elderly French merchant, under whose name she was ever afterwards known. Returning to Europe, she made her first appearance in Paris January 14, 1828, where she added other jewels to the singer's crown. We can not follow her throughout her brilliant career, but must hasten on to the closing scenes of her life.