Brazil and Her People of To-day: An Account of the Customs, Characteristics, Amusements, History and Advancement of the Brazilians, and the Development and Resources of Their CountryWinter, Nevin O. (Nevin Otto)
History
Brazil and Her People of To-day: An Account of the Customs, Characteristics, Amusements, History and Advancement of the Brazilians, and the Development and Resources of Their Country
Winter, Nevin O. (Nevin Otto)
Brazil
The Latin Americans strive for beauty, and, for myself, I must say that
in general I admire their style. Some of their buildings would not
appear well in a cold climate, but in design and decoration they are
well adapted to the country. The government buildings, the plazas, the
numerous statues, all have lines of beauty that please the eye. In small
towns far from the railway one will oftentimes stumble upon a church, a
convent or some other building of real artistic beauty and design. These
buildings in a sense satisfy the artistic hunger of the race, and they
are the objects to which every resident points with pride.
[Illustration: THE MUNICIPAL THEATRE, RIO DE JANEIRO.]
The municipal theatre is one of these buildings that one will find in
all the larger cities, where social life has attained anything of a
metropolitan development, and even in smaller towns, where that stage
has not been reached. It is constructed with the same care and regard
for artistic proportions as the municipal building or the governmental
palace, and, in many instances, with even more taste. The _teatro
municipal_, as it is always named, is almost invariably built in an
open place, where the view is unobstructed, while many of the public
edifices are crowded up to the street line, and often hemmed in between
surrounding buildings. Frequently it is exposed on all four sides, and an
effort is made to give it an artistic appearance from whatever angle it
is viewed, instead of limiting the artistic touches to the façade. Public
money has been used for the construction of these buildings, and money
from the same source, either municipal or national, is used to provide
for the presentation of the drama or opera. It is only in this way that
the best Italian, French, Portuguese and Spanish artists could ever be
brought to Latin America, for the box receipts alone would not prove
profitable. No one dreams of objecting to the use of the public money in
this way, for the idea is inbred, and in accordance with the traditions
of the race. This idea of practically subsidizing things artistic sounds
strange to Anglo-Saxon ears, but among the Latins it is considered a
proper function of government.
[Illustration: THE MUNICIPAL THEATRE, SÃO PAULO.]
Public-domain text, read in full here on John Shaqi.
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