Brazil today and tomorrowJoyce, L. E. Elliott (Lilian Elwyn Elliott)
History
Brazil today and tomorrow
Joyce, L. E. Elliott (Lilian Elwyn Elliott)
Brazil; Brazil -- Economic conditions
The writer followed this route in December, 1915. The journey took six
days and nights, three of the latter being spent in the train and three
at points en route while waiting for connections, certain trains running
but twice a week. My path was smooth by official courtesy and the trip
was pleasant as well as interesting; the sparsely occupied country, with
colonies set down here and there near the track, has a delightful
freshness born of bright empty spaces, woods and a multitude of shallow
rapid streams.
The pine forests of Paraná and Santa Catharina with their flowery
carpets were a series of fine pictures, while the wide-spread sunny
pastures of southern Rio Grande, a perfect cattle country with a cool
climate, are waiting for more white immigrants. Herds stray on the sides
of gentle grassy slopes and in the valleys where a cluster of green
marks the bed of a little river, fields are marked out and a red-tiled
house nestles—but these are all too few.
The Brazil Railway Company was formed in 1906 through the initiative of
Percival Farquhar with the object of unifying railway lines in South
Brazil, then in several different hands as a result of the concessionary
system which was the only way of inviting foreign capital in earlier
days: the project also included the control of accessory ports and large
industrial development along the line of the roads. About the same time
the syndicate formed by Farquhar obtained interests in railways in
Argentina, Paraguay, Uruguay and Chile; a huge unification plan was
foreshadowed.
Some of these plans have fallen through—the narrow-gauge Argentine lines
leased have, for instance, returned to their former control, and Chilean
interests have been dropped—partly because disturbed conditions in
Europe since the first Balkan war in 1912 ended opportunities for
obtaining more metal props.
Public-domain text, read in full here on John Shaqi.
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