At first the new republic tried religious methods, sending a Capuchin
friar to win over the rebels to the Church and the Law. The monk
despaired. Then followed four expeditions against the mystical Antonio;
the first in November of 1896, the second during December-January of
1896-1897, the third during February and March of 1897, the last from
April to October of the same year. “The sad chronicle of the tragedy of
Canudos, the most important civil war in the history of the country,”
concludes one popular text-book account,[1] “indicated the immediate
necessity of the unification of the country.… It revealed, furthermore,
the great resources of strength and virility among the sertanejos, who,
though conservative and little disposed to lend themselves easily to
novelty, possess none the less qualities important to the development
of the country, once they are in fact bound to the national life.”
Euclydes da Cunha’s revelatory book opened the doors of the Brazilian
Academy of Letters to him in 1903. He produced other books, one on
the eternal question of Peru versus Bolivia, in which he sides with
Bolivia; he became known for his speeches. The end of his life, which
occurred through assassination on the 15th of August, 1909, was caused
by a sexual snarl in which the corruptors of his domestic happiness
added crime to betrayal.
* * * * *
The plan of _Os Sertões_ is that of a scientific spirit at the same
time endowed with the many-faceted receptivity of the poet. Before
approaching the campaign of Canudos itself, the author studies the land
and the man produced by it; he is here, indeed, as Verissimo early
indicated, the man of science, the geographer, the geologist, the
ethnographer; the man of thought, the philosopher, the sociologist,
the historian; the man of feeling, the poet, the novelist, the artist
who can see and describe. But nowhere the sentimentalist. From one
standpoint, indeed, the book is a cold confirmation of the very law
against whose operative details the author protests:--“the inevitable
crushing of the weak races by the strong.”
Though a sertanejo school of fiction had existed before _Os Sertões_,
the book brought to Brazilians a nearer, more intimate conception of
the inhabitants of those hinterlands.
“The sertanejo,” writes the author in Chapter III of the section
devoted to the man of the sertão, “is first of all a strong man. He
does not possess the exhaustive rachetism of the neurasthenic hybrids
of the coast.
“His appearance, however, at first blush, reveals the contrary. He
lacks the impeccable plasticity, the straightness, the highly correct
structure of athletic organisms.
Public-domain text, read in full here on John Shaqi.
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