Brenda's Bargain: A Story for GirlsReed, Helen Leah
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Brenda's Bargain: A Story for Girls
Reed, Helen Leah
Boston (Mass.) -- Juvenile fiction; Schools -- Juvenile fiction; Young women -- Juvenile fiction
"Oh, please let us go to the paintings first," begged Concetta.
"No! no! to the jewelry," cried Gretchen; while Maggie, knowing as well
as the others that they would first go where Miss Northcote chose,
wisely said nothing, expressed no preference.
On their first visit they had walked through all the galleries to get
the necessary bird's-eye view, and a second visit had been given almost
wholly to the old Greek room. But all the casts and reliefs were as
nothing in Concetta's eyes compared with the richness of color in
Corot's "Dante and Virgil in the Forest," and the wonderful realism of
La Rolle's two peasant women.
"I don't know whether they're Italians," said Concetta of the latter,
"but there's something about them that makes me think of Italy;" for
Concetta had vague remembrances of her native land and of the
picturesque costumes of the Italian women. Although she was proud enough
to consider herself an American citizen, she still was pleased when
people called her a true daughter of Italy, and she loved everything
that reminded her of her old home.
Of all the things that she had seen, Gretchen declared that she would
much prefer the great crystal ball to which a fabulous value was
attached, although there were some exquisite gold necklaces that had an
especial charm for her.
Now on this special day Pamela meant to combine instruction with
pleasure, and so the quartette quickly found themselves in the Egyptian
room.
"You don't think that beautiful, do you, Miss Northcote?" and there was
more than a little doubt in Concetta's tone as she pointed to a granite
bust of a ruler in one of the earliest dynasties.
"I like it better than the mummies," interposed Gretchen, before Pamela
could reply; "they give me the shivers."
"I wish you'd take us into the mummy room," continued Concetta
seductively; "there are some lovely blue beads there."
But Pamela was sternly steadfast to her purpose, reminding them that
there would be other opportunities for them to wander about
indefinitely, whereas now she wished them to get a little idea of
history through these reliefs and statues. But I am afraid that of the
three Maggie alone really listened very attentively to her explanation
of the difference between the Egyptians and the Assyrians, which their
works of art brought out so well.
But neither Thotmes, nor Assur-bani-pal, nor Nimrod, nor Rameses were
names to conjure with, and in spite of her efforts to make her subject
interesting, by connecting things she told them with Bible incidents,
Pamela could not always hold their attention. To give up too easily
would have seemed ignominious, and she decided to allow them a diversion
in the shape of a visit to her favorite Tanagra figurines.
"That will be good," said Gretchen, in her rather quaint English, as
they turned their backs on the grim relics of Egypt; "and we'll try to
remember every word you've told us to-day."
Public-domain text, read in full here on John Shaqi.
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