representations of places or towns, that it has nevertheless been
intended as an absolute representation of what its draughtsman had seen.
The columns with S. Theodore and the lion of S. Mark on their capitals,
the bronze horses and the domes of S. Mark’s, the position by the
waterside, and the representation of the Ponte di Paglia, are all proofs
of this; but the important point for my present purpose is, that he drew
the Ducal Palace as _a building of two stories in height_--the first a
simple arcade, the second an arcade with tracery. In the distance behind
this, his drawing shews a picturesque assemblage of buildings, whilst
figures are represented behind the upper arcade as though it were only a
kind of immense balcony. There can be no doubt whatever that this old
drawing tells in favour of the view that the upper stage was not built
until after a considerable interval; for it is almost impossible--looking
at the way in which the rest of the drawing is made--to believe that all
reference to it would have been omitted, had it been in existence at the
time the artist saw it.
It will be seen that my supposition that the original design of the
Ducal Palace was of considerably less elevation than the present
building, would tend to make it very much more like the Byzantine type
than it is; but even now no one can dispute the family likeness. The
amount of constructive art is as nearly as possible the same. The weight
is supported by a succession of shafts placed at very short intervals
from each other, and in neither is there any approach to the system of
pier, arch, and buttress, so distinctive of Gothic art in the North of
Europe. The pointed arch is used, it is true, in the palace; but, after
all, the mere use of the pointed arch does not make thorough pointed
architecture, and therefore, interesting as it is as a variety of the
style, the Ducal Palace is, I think, not properly to be placed in the
first class of Gothic buildings. Indeed, the second stage, whose
exquisite beauty is the charm of the whole building, does not exhibit
the pointed arch at all in a properly developed form, and is strong
enough to support the great weight of wall above, only by reason of the
massy character of its tracery, and not by the proper application of
constructional arches. I have already said that there is no approach to
buttressing; but the angles require some help, and this is given partly
by increasing considerably the size of the shafts, and partly by iron
ties at the springing of the arches running for some distance in each
direction from the angles.
Public-domain text, read in full here on John Shaqi.
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