It is a drive of about a couple of hours from Gorizia to Aquileja. The
country is perfectly flat, but teeming with vegetation, and it is not
until the end of the journey is reached that one realizes under what
baleful conditions life or existence is endured here. A Roman capital
and a fragment or two of Roman columns or mouldings are all that one
sees at first to show that one is driving into one of the greatest of
the old Roman seaports. Here, where before its destruction by Attila in
A.D. 452 the population is said to have been about a hundred thousand in
number, there are now only a few poor houses, and a sparse population,
pauperized and invalided by fever and swamps on every side, whilst the
sea has retreated some three miles, and left the place to its misery
without any of the compensating gains of commerce. Certainly Torcello is
a degree more wretched and deserted, but these two old cities have few
compeers in misery, and I advise no one but an antiquary to make the
pilgrimage to Aquileja, who is not quite prepared to tolerate dirt,
misery, and wretchedness with nothing to redeem them.
[Illustration: PATRIARCH’S THRONE.--AQUILEJA.]
The one great interest in the city now is the cathedral. This is a great
cruciform basilica, with a central and two small apses east of the
transept, and eleven arches between the nave and aisles. The
arrangements of the apse are interesting; two flights of steps lead up
to it from the nave, and in the centre of the east wall is the
patriarch’s throne of white marble, well raised on a platform above the
seat which goes round the apse. The whole arrangement is singularly well
preserved, and looks very well in spite of the destruction of most of
the mosaic pavement with which originally no doubt the floor was laid,
of which only a few tesseræ now remain, and in spite also of the
modernization of the rest of the apse. This throne appeared to me to be
not earlier than circa 1150, though the church is said to have been
built between 1019 and 1042. These dates must, I think, be taken with
large allowance for alterations. With the exception of the apse and the
crypt under it, I believe the greater part of the church was rebuilt in
the fourteenth century; for though the Roman capitals (which were
everywhere ready to the hand) were used on the ancient columns, the
arches carried by them are pointed, and the clerestory is evidently of
the same age. This combination of Classic columns and sculpture with
pointed arches is so very unusual, that it is quite worth while to give
an illustration of the interior. The columns, capitals, and bases are of
varied shapes and sizes, and evidently a mere collection of old
materials which happened to be handy for the builder’s use; the arches
are rudely moulded, and the clerestory of cinquefoiled windows, each of
a single light, is as insignificant as possible, and yet withal there is
so grand an area inclosed that the effect is good and impressive. The
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account