There are many churches in Cremona, all more or less appearing to be founded upon the work in the transepts of the cathedral, but generally very inferior to them in merit. San Domenico has a west front singularly like theirs, but debased in its detail. It has, however, a very fine campanile, lofty, very simple, and pierced with pointed windows in each stage, one above the other. The interior is completely modernized, and not worth notice. SS. Agostino and Giacomo in Breda is another church of the same class, with a west front which is again a very bad second edition of the cathedral, and which has been horribly mutilated and modernized inside. It is, however, to be remembered gratefully for a most lovely picture by Perugino, representing the Blessed Virgin with Our Lord seated, with SS. Augustine and James on either side. The Virgin is very calm, dignified, unearthly, and very simple and stately. Our Blessed Lord, in her arms, has perhaps rather too much the character of an ordinary infant; and the two saints have more than is quite pleasant of the bend in their figures of which he was so fond; the heads stooping forward, and the knees considerably bent, are a little too evidently straining towards a reverential posture. Such a criticism is a bold one to venture upon with the recollection of so glorious a picture fresh in my mind--one from which I really derived intense pleasure. The date of this very fine work is A.D. 1494. Sta. Agata is another church which still has its old campanile intact, with round-arched windows, very simple and not large. The church which has been built against it tells its story so well, that at first we all mistook it for a theatre! So much for Classic symbolism. Another church, dedicated in honour of Sta. Margherita, is a very poor erection of brick, with a simple campanile. One or two other churches we saw with fair brick campanili, which were not otherwise remarkable; and one there was, San Luca, close to the Milan gate, which seemed to be very singular in its arrangements. It had a projecting western porch, with its columns supported on beasts; and at the north-west angle an octagonal building of brick, of exceedingly late date, which appeared to be a baptistery. I enjoyed the architectural remains in Cremona very much indeed: its rich array of buildings in elaborate brick-work is very striking; and the campanile of the cathedral, towering up high above the many other steeples, combines well with them in the general views, and helps to convert into a fine-looking city what is, perhaps, in its streets and houses generally, very far from being anything of the kind. The way in which the old walls and towers of the Palazzo Publico combine with the steeple of the cathedral is extremely fine, a large piazza a short distance to the west of the palazzo affording perhaps the best point of view.