The drive from one city to the other was very wearisome. The land was
rich with vines, mulberry-trees, and rice-fields. The grapes were being
gathered, and everywhere along the road we met vast casks borne in grand
waggons drawn by white oxen, carrying home the grapes to the wine-press.
These waggons have an elaborately carved tree from back to front, and
the wheels and casks are also similarly adorned. They are really very
handsome, and quite carry one back to those old times when even in
utilitarian England the adornment of a carriage was not thought beneath
the notice of an artist.
On the road we changed horses at Altedo, where I sketched the good brick
campanile of the church, which has windows much like the example figured
at page 262.
Bologna is, I fear, only known to many Englishmen at the present day as
the one station in Italy at which you may always depend on getting some
food, and not less as a station which seems to be on the road to and
from every part of the peninsula. There is no excuse, therefore, for not
visiting it; and if the general feeling is not one of enthusiasm for
what one sees, there is still very much that is worth seeing, and in San
Petronio a fragment of a church which, had it been completed on the
scale intended, would have been one of the finest and, I suppose, almost
the largest in Italy.
[Illustration: 53. SAN PETRONIO. BOLOGNA. p. 291.]
The streets are not of the best. They are very narrow, and often arcaded
with pointed arches supported on circular columns, but contain few
houses of any interest, whilst the churches have been a good deal
altered and damaged in modern times.
Public-domain text, read in full here on John Shaqi.
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