San Giacomo is another example of a modernized church, which has,
however, some interesting features. On the exterior there is a rather
good treatment of the polygonal apse, with steep gables and pinnacles
over the windows on each side. This is somewhat like the apse of San
Fermo, at Verona. The campanile on the south-east of the nave is a very
lofty late Gothic erection, finished with an incomplete Renaissance
belfry-stage. The old portion is divided into a succession of stages of
equal height, and is mainly striking on account of its good
colour--being all of red brick--and simple outline. The west front is,
as is usual here, a great gable divided into three parts by pilasters
and half columns; the doorway is of the thirteenth century, and its
columns rest on lions’ backs. The detail of the windows at the ends of
the aisles is extremely good, and seemed to me to be of the same date.
The windows are of two-lights, with shafts for monials, and a broad
transome of plate tracery; the tympanum of the arch at the top is
similarly filled: here, though the jambs are of brick, the whole of the
rest of the
[Illustration: 55. MONUMENT. BOLOGNA. p. 296.]
design is executed in stone, and the likeness to some of the later
Venetian church windows in the Madonna dell’Orto and SS. Giovanni e
Paolo is too great not to be observed. The cornices here are very good.
I noticed not only bricks of unusual shapes, very well arranged for
effect, but also disks of earthenware, set with the convex side in view,
and of brilliant glazed colour, generally blue or green. Their effect is
extremely good.
The church of Sta. Maria Maggiore is less altered internally than the
rest. It is of great length, groined throughout, and in general effect
and proportions seemed to me to have a somewhat less Italian air than
the other churches. The apse has an aisle and chapels round it of which
the brick detail externally is effective. Here there are large tiles cut
to a trefoil shape placed flat against the wall-face as an ornament.
They are good-looking, but have not stood well.
In front of this church there is a court or atrium, surrounded with a
perfectly open arcade, which is continued all along the north side of
the church next the road and over the public footpath. The columns are
very slender and of marble; and though the arches which they carry are
segments of circles (not an agreeable form), the whole effect is
extremely light and graceful.
Public-domain text, read in full here on John Shaqi.
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