in brick. The buttresses are bold in their formation and scale, but poor and weak-looking in their design, and finish at the top with pinnacles, whose thin outline, seen against the deep blue sky, is painfully bad and unsatisfying. The panelling of the walls is continued up to their whole height without any decided line of parapet or cornice, and finishes in a rough serrated line of small gables, which is particularly restless and wanting in repose. Great flying buttresses span the aisles, and then in the clerestory is repeated exactly what we have already seen below, the same panelling, the same parapet, and the same light pinnacles; the windows, however, are here very small and insignificant, whilst those in the aisles are remarkable for their large size and for the singular traceries with which they are filled. All the lower windows are transomed with a line of tracery, surmounted in each light by a crocketed canopy running up into the light above. In the apse this tracery fills the four outer lights only on each side of the two centre lights, the others being continued without interruption to the sill; and in these windows it is remarkable that each light is subdivided with a small monial below this band of tracery. Altogether, an effect of a prodigious number and repetition of vertical lines is produced, and yet, notwithstanding this, the effect of the entire building is decidedly rather horizontal and depressing than the contrary; this is not more owing to the absence of all visible roofing than to the way in which the parapets, with their irregular gabled outline, attract the eye to a markedly horizontal feature.