From Riva--one of the most pleasant resting-places on the Italian
lakes--a good road through fine scenery leads to Trent, a journey of
some six or eight hours. The descent upon Trent is very fine. The town
standing by itself well away from the fine mountains which form the
background to the view, the old walls and towers around it, and the
interest of the cathedral and other buildings behind them, combine to
give a sense of the importance and grandeur of the city which the facts
of the case hardly justify. Perhaps, too, there is something in the
historical importance of the place which, without one’s knowledge, sways
the judgment.
There is in fact only one building of great architectural
importance--the cathedral; but, as I shall shew, it has the greatest
interest, not only on account of its real merit, but also because it is
a startling example of the way in which, in the thirteenth century,[11]
the Lombard architects adhered to their old lessons and habits in spite
of all the developments which were then universally accepted on the
northern side of the Alps.
The church is a round-arched building throughout, but the mouldings and
details everywhere show a knowledge of thirteenth-century work, and have
none of the character of true Romanesque or Lombard art. Yet at the same
time there is in many respects a most close imitation of Lombard
features. There are arcades under the cornices of the aisles, arcades
under the eaves of the apses, open porches supported on shafts whose
bases rest on monsters, and other features which, looked at apart from
the sections of mouldings and details of sculpture, might well warrant a
much earlier date being fixed on for the execution of the work than I
have named. An inscription which fixes the date of some works here in
1212[12] may fairly, I think, be assumed to give the date of the greater
part of the fabric, though some portions, as e.g. the western wheel
window and the northern porch, are probably not so early by at least a
hundred years. But I am not concerned to deal with the question only
from an archæological point of view, and will at once therefore go on to
give some description of the building.
Public-domain text, read in full here on John Shaqi.
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