There is a curious but not very happily treated arrangement inside--a step all round the inside walls, projecting some three or four feet from them, and panelled all round against the riser with a small trefoil arcading--the whole in red marble. Externally the church is almost entirely built in red brick with rich cornices and rather ungainly buttresses and pinnacles of brick; the windows have brick jambs with stone tracery, and on the north side of the choir is a fine lofty campanile, finished at the top with a low, very plain, and octangular capping, and unpierced with openings, except in the belfry-stage. Of the west front only the doorway has been completed; this is in courses of red, grey, and white marble, and most effective; the rest of the front is left in brick, finished exceedingly roughly, with a view to leaving a key for the marbles with which, no doubt, it was intended to veneer the entire front. The wooden framework of this door, of which I give a detail, is very curious; it is of deal, coëval with the doorway, and the framework is external, not internal. The west front of the church stands in a small piazza, on the north side of which is the little church of San Pietro Martire, between the east end of which and Sta. Anastasia is a wall dividing a small burial-ground from the Piazzetta; on the top of this wall, and supported upon corbels, is one of those monuments peculiarly associated with Verona, because so numerous there, though they are often met with elsewhere in Italy; they are either large pyramidal [Illustration: DOOR-FRAME--STA. ANASTASIA.]