The church of San Pietro has three or four smaller monuments enclosed
within its small courtyard; two of them are on the ground and have round
arches on detached shafts with an Agnus Dei carved in the centre. The
third is corbelled out from the wall, and the face of the monument is
covered with sculpture, that of the figures being very inferior in style
to that of the foliage enrichments. This little group of monuments,
varying in date from 1283 to 1392, is well worth study, and I found it
more than usually interesting owing to its entire unlikeness to any
English work. The church against which these monuments are built is
small but deserves notice; it is of brick with a stone canopy on shafts
corbelled out above the west door; the buttresses are mere pilasters,
and run up without any weathering till they finish in an arcaded
corbel-table at the eaves; the windows have wide brick splays outside,
and trefoil heads of stone without any chamfer or moulding; on the south
side, the church--in point of size a mere chapel--is divided into four
bays, one of which has a monument corbelled out by the side of the
window. It is built entirely of red brick, not relieved in any way,
except that the window arches are in alternate voussoirs of brick and
stone. The wooden framework of the west door deserves notice as being
very unlike the English mode of door-framing, and very good in its
effect. The accompanying sketch will best explain it: and it must be
understood that, instead of being internal, as such framing would
usually be in England, in this example it is external, just as in the
somewhat similar door of Sta. Anastasia, of which I have already made
mention.
[Illustration: DOOR-FRAME--SAN PIETRO MARTIRE.]
Public-domain text, read in full here on John Shaqi.
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