It is difficult now to conceive how the audience could be found who
would fill so vast a space; and certainly the modern efforts in this
direction are mainly serviceable as shewing the immensity of the
theatre. When I was last in Verona a theatre had been erected in the
arena, and a performance was in progress. The audience might have been
tolerably large in an enclosed theatre, but here it seemed to be the
merest handful; and when we stood on the highest attainable part of the
walls, we found ourselves so far from the stage as to be unable to hear
a single word that was said. There is no need to describe here so
well-known a building as this; suffice it to say, that though the detail
of the architecture is poor, the general design and execution of the
structural arrangements, and the magnificence of the whole scheme cannot
fail to strike one with the same wonder that one feels in the presence
of many of these great Roman works; and it is striking indeed, to see
one of them so perfect as to be still capable of use, and really used.
All the Austrian portion of the inhabitants of Verona crowded the Piazza
di Brà on Sunday evening to hear an Austrian military band, and we
enjoyed not a little a stroll among a crowd of uniforms of all shapes,
kinds, and colours. Verona more than most towns, even in Austrian
Lombardy, seems to be sacrificed entirely to Austrian soldiery. It is
quite melancholy to walk along a street of palaces, some of them
converted into old-furniture stores, others going to ruin; and when
suddenly you do come upon a flourishing and smart palace, if you look in
you are sure to see an Austrian sentinel, and find that it is an
officer’s quarters; and equally when you meet a conveyance, if it is
smart and dashing, with good horses and a stylish coachman, it is quite
certain to be occupied by some dignified-looking military man. So, too,
on the Monday evening, when we went to the French opera (a very pretty,
tastefully got-up theatre by the way) there were absolutely none but
Austrians in the house--in the boxes, officers and their wives, in the
pit, subordinate officers and privates. Who can see this immense staff
of foreigners in occupation of a city like Verona without feeling sadly
for the people who live under such a rule, and for the ruler who is
compelled to maintain such a force to keep his subjects in order?[20]
This, however, is a digression, and I must go on to describe the
remaining architectural features of the old city.
Public-domain text, read in full here on John Shaqi.
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