We tramp heavily along the verandah, a formidable gang of uncouth barbarians. Old Colonial, at our head, gives a gentle coo-ee to intimate our arrival. Then out pops our hostess from somewhere. A merry, bright-eyed little woman is she, such as it does one's heart good to behold. She comes forward, with two of her children beside her, not a whit dismayed at the invasion. She gives us a hearty welcome, shaking hands religiously all along our lengthy line. This is one of those women who always make you feel gratified and contented with yourself and all the world, after you have shaken hands with or spoken to her. "Magnetic," some people call it. She is every one's sister, and you feel an instinctive affection for her, of that sober and yet warm kind which may be termed loyalty. She is queen in the Kaipara; and all of us think it the greatest pleasure in life to obey her behests. Chatting gaily, our hostess leads us through an open French window into the drawing-room, and we follow her, with a pleased and yet bashful sense of expectancy. Into the drawing-room, mark you! and a real drawing-room, too; not a visible make-believe, like the library in our shanty. This is a large room, furnished as people do furnish their best reception-chamber in civilized lands. Pictures hang on the varnished walls; books and book-cases stand here and there; tables loaded with knick-knacks, vases of flowers, workboxes, albums, and so forth; chairs and sofas and lounges; ornaments, statuettes, brackets, and various etcetera, betoken a life of greater ease than that of our shanty. We sit around in an uncouth semicircle, awkward and somewhat ill at ease, for we feel ourselves a little out of place in that room. One cannot live the life that we have lived for years past, without feeling strange and uncomfortable when once again brought within the influence of refinement. So we look at our boots with a sense that our hobnails do not match with the white Japanese matting that covers the floor; and we sit on the edge of our chairs just as other rustics would do at home. Our hats removed, the results of Old Colonial's tonsorial operations are made fully apparent. Our hostess surveys us with a puzzled air. I think she is struggling with a desire to laugh at the quaint simplicity of the communal wardrobe of our shanty, as it is now displayed on our persons before her. We have been petting the children, and, like other children, these are a trifle too observant. One of them, who is sitting on Old Colonial's knee, suddenly becomes aware of the state of his poll, and, pulling his beard to attract attention, asks-- "What made you cut your hair off?" Old Colonial looks across at the Saint; and then, catching Mrs. Member's eye, he and she and all of us go off into peals and roars of laughter. In the midst of this the door opens, we catch sight of another lady entering, and we stumble confusedly to our feet. It is _she_!