Alternative histories (Fiction); Science fiction; Time travel -- Fiction; United States -- History -- Civil War, 1861-1865 -- Fiction
I tried to remember what she had said about cosmic entity. “You mean
youre going to try to turn matter into space or something like that?”
“Something like that. I intend to translate matter-energy into terms of
space-time.”
“Oh,” I said, “equations and symbols and all that.”
“I just said I wasnt going to write a book.”
“But how—” I started up as the impact struck me. “Youre going to ...” I
groped for words. “Youre going to build a ... an engine which will move
through time?”
“Putting it crudely. But close enough for a layman.”
“You once told me your work was theoretical. That you were no vulgar
mechanic.”
“I’ll become one.”
“Barbara, youre crazy! As a philosophical abstraction this theory of
yours is interesting—”
“Thank you. It’s always nice to know one has amused the yokelry.”
“Barbara, listen to me. Midbin—”
“I havent the faintest interest in Oliver’s stodgy fantasies.”
“He has in yours though, and so have I. Don’t you see, this
determination of yours is based on the fantasy of going back through
time to—uh—injure your mother—”
“Oliver Midbin is a coarse, stupid, insensate lout. He has taught the
dumb to speak, but he’s too much of a fool to understand anyone of
normal intelligence. He has a set of idiotic theories about diseased
emotions and he fits all facts into them even if it means chopping them
up to do it or inventing new ones to piece them out. Injure my mother
indeed! I have no more interest in her than she ever had in me.”
“Ah, Barbara—”
“‘Ah Barbara,’” she mimicked. “Run along to your pompous windbag of a
Midbin or your oh-so-willing cow-eyed Spanish doxy—”
“Barbara, I’m talking as a friend. Leave Midbin and Catty and
personalities out of it and just look at it this way. Don’t you see
the difference between promulgating a theory and trying a practical
demonstration which will certainly appear to the world as going over
the borderline into charlatanism? Like a spiritualist medium or—”
“That’s enough! ‘Charlatan’! You unspeakable guttersnipe. What do you
know of anything beyond the seduction of cretins? Go back to your
trade, you errand boy!”
I seemed to remember that once before an incident had ended precisely
this way. “Barbara—”
Her hand caught me across my mouth. Then she strode away.
The fellows of Haggershaven were not enthusiastic for her project.
Even as she outlined it to them in more sober language than she had
to me it still sounded outlandish, like the recurrent idea of a
telegraph without wires or a rocket to the moon. Besides, 1950 was a
bad year. The war was coming closer; at the least, what was left of
the independence of the United States was likely to be extinguished.
Our energies had to be directed toward survival rather than new and
expensive ventures. Still, Barbara Haggerwells was a famous figure
commanding great respect, and she had cost them little so far, beyond
paper and pencils. Reluctantly the fellows voted an appropriation.
Public-domain text, read in full here on John Shaqi.
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