the Tabard Period, has been selected by reason of the tabard being
practically the only distinguishing feature which did not change, and
was fairly persistent throughout. It is also used in contradistinction
to the preceding Surcoatless Period. The tabard was a surcoat which
was generally long in the body (to mid-thigh), and had sleeves to the
elbow in the earlier portion of its existence; but in the later period
the sleeves were much shortened, and the tabard at times only reached
to the waist. It was split upon both sides, and the front and back
portions fastened together by points, drawn closely together or left
wide apart to show the armour beneath; occasionally no points whatever
were used, and the front and back hung loosely from the shoulders. It
served as a protection against sun and rain, and also as a means of
personal adornment, being generally emblazoned upon the body and also
on the sleeves with the armorial bearings of the wearer. It was of silk
or other material, sometimes padded so as to hang stiffly; in most
examples it depends in folds. An early brass showing this feature is
that of William Fynderne, 1444, at Childrey in Berkshire (Fig. 267),
where the armorial bearings are depicted upon the body and sleeves,
both of which are long. An early tabard is that shown upon the brass
of Sir Ralph Shelton, 1423, in Great Snoring Church (Fig. 268), which
fits tightly to the figure, and the tincture of the body of the tabard
has apparently been attempted by the engraver. Another early example
is that of John Wantele, 1424, at Amberley Church, Sussex, where the
arms are shown upon the body (which reaches almost to the knees) but
not on the sleeves. Later examples are those of Sir John Say, 1473, at
Broxbourne, Herts, and Piers Gerard, 1492, Winwick, Lancs. In the Roy.
MS. 18, E. V., is a very spirited drawing of Julius Cæsar crossing
the Rubicon, in which he is represented as wearing a tabard. A very
elaborate example, _c._ 1500, is on the brass in Ormskirk Church,
Lancashire, commemorating a former member of the Scarisbrick family
(Fig. 269). The figure in question wears sabbatons.
[Illustration: FIG. 269.--Brass in the Scarisbrick Chapel of Ormskirk
Church, co. Lancs., to a member of the Scarisbrick family of that name,
_c._ 1500.]
[Illustration: FIG. 270.--Bascinet of one of the Neville family,
Brancepeth, Durham.]
[Illustration: FIG. 271.--Bascinet and orle, Sir Humphrey Stafford,
1450.]
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