He became an apparently impregnable
tower of steel, immovably fixed in a huge saddle. The student of armour
must carefully discriminate between these tilting suits and actual war
harness; the former were never used upon the field of battle, although
at times we know that certain of the tilt defences were borrowed in
order to reinforce the usual harness. The fifteenth century witnessed
the inception and almost the culmination of the idea, and a few of
the tilting suits of the latter part of that era are still extant.
Fig. 310 represents the upper portion of a suit of tilting armour from
the collection in the Museum in Vienna; it dates from 1480, and is
eminently typical of the period. The half-suit, No. 21 (Fig. 418) in
the Wallace Collection, is very similar to the suit illustrated. The
great tilting heaume is composed of three plates of varying thickness,
ranging from nearly half an inch in the principal portions of the
front to an eighth of an inch in the back. A comb, convex in section,
runs down the centre of the crown, and radiating flutings are seen
to ornament the back. The neck of the heaume is firmly fixed to the
backplate, and three screws serve the same purpose in front for the
breastplate. The occularium, formed by the aperture between the crown
plate and the front, appears somewhat large when seen in this position,
but remembering that the lance is held considerably lower than the
heaume it is possible that an opening half an inch or even less would
be presented to it. It was quite possible to have comparative freedom
of movement for the head inside the heaume, which was invariably
furnished with a quilted lining.
[Illustration: PLATE XXI*
War Armour, early Seventeenth Century, Milanese make
Armour of Prince Philip II., German make, 1549
_A. F. Calvert_]
[Illustration: FIG. 311.--Queue. (Wallace Collection.)]
[Illustration: FIG. 312.--Queue, vamplate, and lance. (Tower of
London.)]
[Illustration: FIG. 313.--Polder mitten. (Tower of London.)]
[Illustration: FIG. 314.--Garde-de-bras. (Wallace Collection.)]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account