325), the knee-guards are, if anything, larger than those upon the Bothe brass, while Henry Green, in Luffwick Church, Northamptonshire, 1467, who wears a tabard, has similar guards. Sir Robert del Bothe is among the first, or is the first, to exemplify the wearing of the sword in front of the body sloping from right to left: this fashion was introduced about 1460, and is one of the clues used in identifying the chronology of a brass. [Illustration: FIG. 320.--Right and left coudière, Sir John Verney, Albury, _c._ 1452.] [Illustration: FIG. 321.--Genouillière, &c., Sir John Verney, Albury Church, _c._ 1452.] [Illustration: FIG. 322.--Coudière, &c., Henry Parice, 1464. Hildersham, Cambs.] In the brass at Grene’s Norton, mentioned above, however, a curious modification occurs; the misericorde, which is of huge dimensions and like an anelace in some respects, is slung perpendicularly in front, and the sword suspended on the left side. The brass of Sir John Say, 1473, at Broxbourne, Herts, is habited in a tabard blazoned with his armorial bearings, and exhibits the hausse-col or standard of mail then commonly worn round the throat when the tilting helm alone was used as a protection for head and neck. The memorial brass to Sir Anthony de Grey, 1480, in St. Albans Abbey Church, Herts, exemplifies the armour known as the Richard III. style in every particular (Fig. 326). Round the neck is a hausse-col or standard; the head rests upon a tilting helm, the occularium and projection beneath it being visible over the right shoulder, while the staple for affixing it to the breastplate appears with the mantling over the left. The pauldrons are large, and apparently reinforced by a secondary plate beneath; they are symmetrical in shape and have no pike-guards. The coudières are large and of peculiar shape while long cuffs are appended to the shell-gauntlets. This form of pauldron was fairly prevalent at the time, and also during the early part of the next century. Two demi-placcates appear upon the breastplate: the taces are only three in number, and short tuilles appear in front with tuillettes covering the hips: the genouillières appear with reinforcements extending well up the thigh and a guard-plate passes behind the goussets. The sword is slung in the prevailing mode, but the misericorde is in an almost horizontal position at the back. Similar armour in its broad outlines is used upon the figures in the Warwick Roll of John Rouse, written and illustrated in the reign of Richard III., of which we give examples. Richard Neville, Earl of Salisbury, is represented in a salade with an unusual knob upon the summit (Fig. 327); the short taces and dependent tuilles are here exemplified, as are also the shell gauntlets. The shield with its bouche at the corner is concave to the front, and the sword is shown with a disproportionately short grip and much swollen, similar to that in the De Grey brass. The figure of King Richard III. (Fig.