Although to the average student the armour prevailing after the sixteenth century possesses absolutely no interest whatever, yet as a certain amount continued to be worn, and it possessed characteristics entirely its own, it is necessary to be acquainted with these features in order to possess a comprehensive knowledge of the entire subject. Of cap-à-pie suits it may be broadly stated that none exist; of three-quarter and half-suits there are many to be found, but extremely few of these are of workmanship which can in any way compare in wealth of decoration with that of the latter half of the sixteenth century, or vie in elegance of form with the Maximilian or Gothic armour. The period exhibits a brutal strength and crudity in armour which forcibly suggests boiler-plate work. The defences are simply made to cover the vital parts of the body with the maximum amount of efficiency, without any consideration whatever for gracefulness of outline or beauty of surface. The helmet continued to be of the same pattern as that of the end of the Maximilian Period; variations, however, may be found; that, for example, delineated in Fig. 424, and dating from _c._ 1605, is more of the nature of a close-helmet than a burgonet, being entirely self-contained. [Illustration: FIG. 425.--Three-quarter suit, 1630. (Wallace Collection.)] A typical three-quarter suit of English manufacture is that shown in Fig. 425, dating from about 1630 and forming a part of the Wallace Collection. It is shown in the Museum as a cap-à-pie suit, but the sabbatons and jambarts do not belong to it and date from _c._ 1580. The close helmet is fitted with an umbril to which is riveted the face-guard, pierced with sight and breathing apertures; a gorget plate is affixed bearing the number 10 upon it. Under this plate is the gorget proper, consisting of three plates. The breastplate has a slight tapul and is marked 42. Upon the right-hand side an indentation has been caused by a musket ball. There is a backplate, and also a garde-de-rein of three plates. The espalier pauldrons have brassarts attached fitted with turners. The tassets of thirteen plates have the genouillières depending from them.