The accompanying diagram (Plate XIV.) is taken from a photograph
of a piece of banded mail constructed according to our idea of the
structure of the mediæval defence. The rings are iron washers, 1 in.
in diameter and 1/16 in. thick. Through the centre of the washers a
piece of leather exactly as wide as the apertures passes from end to
end. The washers are arranged like rouleaux of coin, each one just
covering the aperture through the centre of the one below. Between
each row of washers a thick piece of leather is placed, the raw edges
being visible on either side of the mail where they have been rounded
off with the knife. The section of this leather band would be similar
to that of a dumb-bell, the centres on each side of the leather being
hollowed so as to permit the edges of the rouleaux to approach each
other and almost touch, the thin centre only preventing them. To the
middle of this leather band the individual rings of the mail are sewn
of both the upper and lower rows. The best portion of this example is
that immediately to the right of the white band. The appearance of
both sides of this example of mail is precisely similar; it is very
flexible, and easily bends in any required direction. The weight,
however, would probably be prohibitory, even to a mediæval knight, and
in order to lighten it we may suggest that every alternate washer be
made of leather, or even that two washers of leather alternate with one
of metal. Against this it may be argued that banded mail is represented
with a metallic tint, but so also is chain mail, which must have
presented ordinarily a rusty-hued mass with simply an outer surface
of polished iron. The liability to rust of chain mail must have been
excessive, and the two outer and accessible surfaces were undoubtedly
the only portions usually polished. So well known is this fact that in
the pageants now prevalent brown string is knitted to represent chain
armour, the outer surface being subsequently covered with a metallic
medium. As a consequence the limners of banded mail would represent it
with a metallic surface even though it presented as brown or rusty an
aspect as chain mail. The washers used in the modern example would in
the mediæval period be flattened rings of metal, and the excessively
coarse and large banded mail would be oval rings and not circular. The
bands are at times represented by single lines, and the suggestion is
obvious that the lines simply represent the junction of the rouleaux
which have not the extra defence of the bands of leather, or else the
band is so narrow that one line is sufficient for its representation.
Public-domain text, read in full here on John Shaqi.
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