an opening in the bushes, or round the side of the gateway, you may see
him busy on the ground. His rather excitable nature betrays itself in
every motion: he walks, now to the right a couple of yards, now to the
left in quick zigzag, so working across the field towards you; then,
with a long rush, he makes a lengthy traverse at the top of his speed;
turns, and darts away again at right angles; and presently up goes his
tail, and he throws his head down with a jerk of the whole body, as if
he would thrust his beak deep into the earth. This habit of searching
the field, apparently for some favourite grub, is evidence in his
favour that he is not so entirely guilty as he has been represented of
innocent blood. No bird could be approached in that way. All is done in
a jerky, nervous manner. As he turns sideways, the white feathers show
with a flash above the green corn; another moment, and he looks all
black.’
In disposition the magpie is restless, inquisitive, excitable, and
loquacious. Where he is greatly persecuted by gamekeepers--as, indeed,
is the case almost everywhere in England--he grows so wary that, in
spite of his conspicuous colouring, it would be almost impossible to
get a glimpse of him, were it not for his outbursts of irrepressible
excitement and garrulity. The sight of a stoat, fox, or prowling cat
will instantly cause him to forget the more dangerous keeper and
his gun, and to fill the coppice with cries of alarm. The feathered
inhabitants of the wood hurry from all sides to ascertain the cause of
the outcry, and assist in driving out the intruder. But the keeper,
too, hears; this is the opportunity he has been long watching and
waiting for; and if he approaches the scene of excitement with due
caution, poor beautiful Mag, dead, and shattered with shot, will soon
be added to his festering trophies.
The usual sound emitted by the magpie is an excited chatter--a note
with a hard, percussive sound, rapidly repeated half a dozen times. It
may be compared to the sound of a wooden rattle, or to the bleating of
a goat; but there is always a certain resemblance to the human voice
in it, especially when the birds are unalarmed, and converse with one
another in subdued tones. But it is more like the guttural voice of the
negro than the white man’s voice. Their subdued chatter has sometimes
produced in me the idea that I was listening to the low talking and
laughing of a couple of negroes lying on their backs somewhere near. It
is well known that this bird can be taught to articulate a few words.
Public-domain text, read in full here on John Shaqi.
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