The nightingale is the only songster that has been too much lauded, with the inevitable result that its melody, when first heard, causes disappointment, and even incredulity. More than once it has been my lot to call the attention of someone who had not previously heard it to its song, at the same time pointing out the bird; and after a few moments of listening, he or she has exclaimed, ‘That the nightingale! Why, it is only a common-looking little bird, and its song, that so much fuss is made about, is after all no better than that of any other little bird.’ And then it is perhaps added: ‘I don’t think the nightingale--if the bird you have shown me _is_ the nightingale--sings so well as the thrush, or the blackbird, or the lark.’ The song is, nevertheless, exceedingly beautiful; its phrasing is more perfect than that of any other British melodist; and the voice has a combined strength, purity, and brilliance probably without a parallel. On account of these qualities, and of the fact that the song is frequently heard in the night-time, when other voices are silent, the nightingale was anciently selected as the highest example of a perfect singer; and, on the principle that to him that hath shall be given, it was credited with all the best qualities of all the other singers. It was the maker of ravishing music, and a type, just as the pelican was a type of parental affection and self-sacrifice, and the turtle-dove of conjugal fidelity. Only, when he actually hears it for the first time, the hearer makes the sad discovery that the bird he has for long years been listening to in fancy--the nightingale heard by the poet with an aching heart, and the wish that he, too, could fade with it into the forest dim--was a nightingale of the brain, a mythical bird, like the footless bird of paradise and the swan with a dying melody. Beautiful, nay, perfect, the song may be, but he misses from it that something of human feeling which makes the imperfect songs so enchanting--the overflowing gladness of the lark; the spirit of wildness of the blackcap; the airy, delicate tenderness of the willow-wren; and the serene happiness of the blackbird. The nightingale arrives in this country about the middle of April, returning to the same localities year after year, apparently in the same numbers. It is scarcely to be doubted that the young birds that survive the perils of migration come back to the spot where they were hatched, since the species does not extend its range nor establish new colonies. It is most common in the southern counties of England, above all in Surrey, but rare in the western and northern counties, and in Scotland and Ireland it is unknown.