British Manufacturing Industries: Pottery, Glass and Silicates, Furniture and Woodwork.Arnoux, Léon
History
British Manufacturing Industries: Pottery, Glass and Silicates, Furniture and Woodwork.
Arnoux, Léon
Manufacturing industries -- Great Britain
On the other hand, the many fine examples made in the sixteenth and
seventeenth centuries in this country, Holland, Germany, France or
elsewhere, have been generally intended for rooms larger, higher, and
with fewer pieces of furniture in them than those of our modern
houses, not to speak of the massiveness of fireplaces and fittings
with which they were in character. It is their age, and the
connection, which we cannot help tracing, with old houses and bygone
generations which give architectural cabinets an interest now.
In construction, the skill of the cabinet maker will be shown in the
neat and convenient arrangement of drawers of various depths and
sizes, shelves or repositories, so contrived as to turn the entire
internal space to account. The most curious contrivances are often
found in old German, English, and French cabinets, bureaux,
secrA(C)taires, and other varieties of this kind of furniture. Pediments,
capitals of columns, and other parts of architectural fronts are made
to open, and secret drawers stowed away with an ingenuity almost
humorous. It is upon the fronts and stands that the skill of great
masters of the craft has been bestowed. The large wardrobes, or
"armoires," of Boulle are examples of great inventive and designing
power, as well as the marquetry of Riesener and David, and the
chiselled metal-work of Berain, GouthiA"re, and that of many English
artists.
As in past times, and so in our own, it is on cabinets that the real
triumphs of the cabinet maker's art are displayed.
3. FIXED WOODWORK.
Thirdly, the joiner's and cabinet maker's art plays an important part
in the fixed furniture of the house, and the woodwork, such as
flooring, doors and door-frames, panelling, chimneypieces, with the
complementary decorations of hangings, whether tapestry, silk, or the
more humble material of paper.
In this last division of furniture the work is that of joinery. There
is no great demand for constructive strength, as the work is fixed to
walls; but as doors and shutters are swung to and fro continually, and
subject to jars and strains, their stiles and rails, upright and
cross-framing members, as well as the panelling that fills them,
require well-seasoned timber and the most accurate workmanship:
without these conditions the joints open, the panels shrink from the
grooves in which the edges are held, and split, while the frame
itself, if of unseasoned material, 'buckles' or twists, so that the
door or shutter will no longer shut flat in its frame.
Panelling and fireplaces are, however, opportunities for the display
of carving, inlaying, and gilding. The reader has seen carved room
panelling, probably, in many old houses. In some of the municipal
'palaces' in Flanders, e.g. in Bruges, and in the old rooms of the
Louvre in Paris, carved panelling of the utmost grace and perfection,
some of it in groups of life-sized portrait figures, may be studied by
the tourist.
Public-domain text, read in full here on John Shaqi.
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