'Tottel's Miscellany' is the first known collection of English verse, the progenitor of the countless volumes which now load our drawing-room tables, and defy criticism. Tottel's collection includes poems by the Earl of Surrey, Sir Thomas Wyatt, Nicholas Grimald, and ninety-five by 'uncertain authors.' Either our forefathers three centuries ago had very contracted ideas about literature, or it was more affluent than we suppose--for we find William Webbe, in his 'Discourse of English Poetrie,' thus complaining of a tribulation which we thought was peculiar to modern reviewers. 'Among the innumerable sortes of Englyshe bookes, and infinite fardles of printed pamphlets, wherewith thys Countrey is pestered, all shoppes stuffed, and euery study furnished; the greatest part, I thinke in any one kinde, are such as are either meere Poeticall, or which tende in some respecte (as either in matter or forme) to Poetry.' Mr. Arber has the genuine bibliophilist's afflatus: the patience with which he picks up bits of bibliographical information, and the caution and skill with which he uses it, are perfect. 'Tottel's Miscellany' was very popular in its day. Lever was Fellow, Preacher, and Master of St. John's College, Cambridge; Pastor in exile of the English Church at Aarau; Prebend of Durham Cathedral, and Master of Sherburn Hospital. He was, as Mr. Arber terms him, one of the 'spiritual children' of the Reformation, the associate of Latimer, Bradford, and Knox. These three sermons, after the manner of the times, deal with public and passing topics, manners, and customs, and are valuable not only as part of the religious but as part of the domestic history of their day. Lever was a man of Latimer's type--superlatively faithful and fearless. Webbe's 'Discourse of English Poetrie' is a reprint of a very rare book, only two copies of it being known to exist. Webbe was a Cambridge graduate, and a very accomplished, modest, and able man. Singularly his critique on English poetry was almost synchronous with the greater work of Puttenham, on 'the Arte of English Poesie,' which Mr. Arber has already reprinted in this series. Webbe's discourse contains a good deal of shrewd penetrating criticism. He was well acquainted with the classical poets, and made experiments in translation, with a view of naturalizing classical feet.