British Quarterly Review, American Edition, Vol. LIV: July and October, 1871Various
History
British Quarterly Review, American Edition, Vol. LIV: July and October, 1871
Various
English periodicals
Of the vanity which feeds on notoriety he had no
trace, and cared not for reputation if he could not deliberately
accept it as his due. A proud man he was; perhaps, at times, too
sternly proud; but from the myriad pains and pettinesses which have
their root in vanity, he was conspicuously free. Very beautiful also
is the unaffected delight which this rough-handed mason takes in the
aspects of nature. It has none of that sickliness or excess which
strong men admit to have more or less characterised the enthusiasm for
the freshness of spring and the splendour of summer of what has been
called the London school of poetry. In the rapture with which Keats
sang of trees and fields, there is something of the nature of
calenture. Pent in the heart of London, he thought of the crystal
brooks and the wood-hyacinths with a weeping fondness, instinct
indeed with finest melody, but akin to that sick and melancholy joy
with which the sailor in mid-ocean gazes on the waste of billows,
gazes and still gazes until on their broad green sides the little
meadow at his father's cottage door with its grey willows and white
maythorns seems to smile out on his tear-filled eyes. Had Keats run
about the hills and played in the twilight woods as a little boy, he
would not have loved nature less, but his poetical expression of that
love would not have struck masculine intellects as verging on the
lachrymose and the fantastic. Nature to Miller was a constant joy, a
part of the wonted aliment of his soul, an inspiring, elevating
influence, strengthening him for the tasks of life. 'I remember,' he
writes of the days of his youth,
'how my happiness was enhanced by every little bird that
burst out into sudden song among the trees, and then as
suddenly became silent, or by every bright-scaled fish that
went darting through the topaz-coloured depths of the
water, or rose for a moment over its calm surface,--how the
blue sheets of hyacinths that carpeted the openings in the
wood delighted me, and every golden-tinted cloud that
gleamed over the setting sun, and threw its bright flush on
the river, seemed to inform the heart of a heaven beyond.'
The mason lad who could feel thus had little to envy in the gold of
the millionaire or the title of the aristocrat. Well did the ancients
match sound and sense in that phrase, _sancta simplicitas_; such
simplicity of soul is indeed holy and healing.
Public-domain text, read in full here on John Shaqi.
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