I did not go to that beautiful home that night, but I stood instead
in the "Bread Line" on the northwest corner of Broadway and Twelfth
Street. It was ten o'clock, and although the bread was not to be given
out to the starving poor of the city until midnight, a crowd had
already begun to collect in front of Old Grace Church, the wealth of
which is said to be almost fabulous. Extending up this street, long
before the hour of distribution began, was a line in which I counted
five hundred men. There were no women among them. There was no jest
or laughter. They seemed as mute as "dumb driven cattle." Just at
midnight, after the line had been standing several hours, two men
appeared with the bread. There was a sudden rush across the street
to be the first in line. A police rule seemed to be in force to the
effect that no one was allowed to stand on that side of the street
until the hour arrived for giving the bread away. After this long wait,
my share of this left-over bread was a piece weighing just four ounces.
When I remembered that during the throes of that long and bitter winter
this one bread line (New York has several) grew from five hundred to
two thousand men, the blazing cross which I could see from the high
church tower became "the handwriting on the wall."
Should you ask me why these men do not seek shelter in New York's
Municipal Home, I could tell you in a few words. Notwithstanding the
generous and hospitable character of the institution, it is usually
crowded to overflowing.
* * * * *
While studying the character and the aspirations of the honest
unemployed in all parts of the country, I found in most of them the
desire, the longing for country life. Even the hardened frequenter
of saloons and other vicious places seemed anxious to change his
environment. They all recognized this to be of great benefit in
starting life anew, and in trying to become useful members of society.
I found many had gone to the country. Many more desired to go up the
Hudson River to work on the farms, in the fruit orchards and the open
fields. I determined to follow them and see what it all meant.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account