Broken to Harness: A Story of English Domestic LifeYates, Edmund
General
Broken to Harness: A Story of English Domestic Life
Yates, Edmund
England -- Fiction
The reception. _Item_, Herr Klavierspieler, the celebrated _pianiste_,
who was so fall of soul, and so mysterious, and so thin, and so
long-haired, and so silent. All sorts of stories afloat about Herr
Klavierspieler,--that he communed with spirits; that he was a ghoule;
that he was consuming away under an unrequited passion for an Austrian
countess of excessive haughtiness; whereas in real truth he was the
son of a saddler in the Breite Strasse of Dresden, and his liver was
deranged, perhaps by his eating five heavy meals a day, and, save when
he was playing in public, never being without a pipe in his mouth.
_Item_, M. Bloffski, the Pole, _the_ violincellist of the world, a fat
man in spectacles, who perspired a great deal, breathed through his
nose, had a red-cotton pocket-handkerchief, and played his instrument
divinely. _Item_, Mr. Schrink, musical critic of the _Statesman_
newspaper, a little man with a hump-back and a frightfully sensitive
ear; a little man who would cower and, shrink under false notes, and
stamp and growl under bad singing; a little man whom every one hated,
and who did not particularly like himself. _Item_, Fräulein Wünster,
one of those German young ladies who, ever since Jenny Lind's success,
have been imported into England under the firm idea that they were
"going to do it," and who, having filled up gaps in the Hanover Square
and St. James's Hall concerts, have returned to _Vaterland_ without
having made the smallest mark. Mr. Dabb, fashionable artist, whose
portrait of Mr. Schröder decorated the walls, was there; as was Mr.
Fleem, the author of _Fashion and Satire_--a young gentleman who,
for a cynic, seemed on remarkably good terms with himself and his
fellow-creatures. Mr. Pringle and Mr. Prescott arrived together; and
just after the gentlemen came up from the dining-room, Mr. and Mrs.
Churchill were announced.
Public-domain text, read in full here on John Shaqi.
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