and never wanted talking to or that sort of thing, but could amuse herself always, as chirpy as a bird, by Jove! And these attributes had an immense amount of weight with taciturn Fred Lyster, who, moreover, had recently discovered a bald spot about the size of a sixpence at the top of his back-parting, and who immediately perceived imminent age, determined on marriage, and even thought of making his will. And little Miss Townshend walks by his side, and prattles away, and laughs, saucily tossing her curls in the air, and is as merry as possible; save when, stealing an occasional glance from under her hat, she detects her companion's eyes very earnestly fixed upon her, and then a serious expression will settle on her face for an instant, and something like a sigh escape her. We are a strange race! Here are two couples engaged in the same pursuit, and yet how different is the process! While Lyster is strolling idly by Miss Townshend's side, and listening to her little nonsense, Churchill and Barbara are stepping ahead, thoroughly engrossed in their conversation. He is talking now, telling her of a German adventure of his; how, with some other students, he made the descent of the Rhine on one of the timber-rafts; how they came to grief just below the Lôrely, and were all nearly drowned. He tells this with great animation and with many gestures, acting out his story, as is his wont; and throughout all he has a sensation of pleasure as he catches glimpses of her upturned earnest face, lighting up at the special bits of the narrative, always eager and attentive. His earnestness seems infectious. She has dropped all her society drawl, all her society tricks and byplay, and shows more of the real woman than she has for many a day. They talk of Germany and its literature, of Goethe and Schiller and Heine; and he tells her some of those stories of Hoffmann which are such special favourites with _Bürschen_. Thus they pass on to our home poets; and here Barbara is the talker, Churchill listening and occasionally commenting. Barbara has read much, and talks well. It is an utter mistake to suppose that women nowadays have what we have been accustomed, as a term of reproach, to call "miss-ish" taste in books or art. Five minutes' survey of that room which Barbara called her own in her aunt's house in Gloucester Place would have served to dispel any such idea. On the walls were proofs of Leonardo's "Last Supper" and Landseers "Shoeing the Horse;" a print of Delaroche's "Execution of Lady Jane Grey;" a large framed photograph of Gerome's "Death of Cæsar;" an old-fashioned pencil-sketch of Barbara's father, taken in the old days by D'Orsay long before he ever thought of turning that pencil to actual use; and a coloured photograph--a recent acquisition--of a girl sitting over a wood-fire in a dreamy attitude, burning her love-letters, called "L' Auto da Fé." On the bookshelves you would have found Milton,