Thomas à-Kempis, _David Copperfield_, _The Christmas Carol_, a much-used Tennyson, Keats, George Herbert's Poems, Quarles' _Emblems_, _The Christian Year_, Carlyle's _French Revolution_, Dante, Schiller, _Faust_, Tupper (of course! "and it is merely envy that makes you laugh at him," she always said), _The Newcomes_, and a quarto Shakespeare. No French novels, I am glad to say; but a fat little Béranger, and a yellow-covered Alfred de Musset are on the mantelpiece, while a brass-cross-bearing red-edged Prayer-Book lies on the table by the bed. Barbara's books were not show-books; they all bore more or less the signs of use; but she had read them in a desultory manner, and had never thoroughly appreciated the pleasure to be derived from them. She had never lived in a reading set; for when old Miss Lexden had mastered the police intelligence and the fashionable news from the _Post_, her intellectual exercises were at an end for the day; and her friends were very much of the same calibre. So now for the first time Barbara heard literature talked of by one who had hitherto made it his worship, and who spoke of it with mingled love and reverence--spoke without lecturing, leading his companion into her fair share of the talk, mingling apt quotation with caustic comment or enthusiastic eulogy, until they found themselves, to Barbara's surprise, at the hall-door. I am glad that it is my province as historian to discourse to my readers of the thoughts, impulses, and motives influencing the characters in this story, else it would be difficult for me to convey so much of their inner life as I wish to be known, and which yet would not crop out in the course of the action. In writing a full-flavoured romance of the sensational order, it is not, perhaps, very difficult to imbue your readers with a proper notion of your characters' character. The gentleman who hires two masked assassins to waylay his brother at the foot of the bridge has evidently no undue veneration for the Sixth Commandment; while the marchioness who, after having only once seen the young artist in black velvet, gives him the gold key leading to her secret apartments, and makes an assignation with him at midnight, is palpably not the style of person whom you would prefer as governess for your daughters. But in a commonplace story of every-day life, touching upon such ordinary topics as walks and dinners and butchers' meat, marrying and giving in marriage, running into debt, and riding horses in Rotten Row,--where (at least; so far as my experience serves) you find no such marked outlines of character, you must bring to your aid all that quality of work which in the sister art is known by the title pre-Raphaelitic, and show virtue in the cut of a coat and vice in the adjustment of a cravat. Moreover, we pen-and-ink workers have, in such cases, an advantage over our brethren of the pencil, inasmuch as we can take our readers by the button-hole, and lead them out of the main current of the