Brook Farm: Historic and Personal MemoirsCodman, John Thomas
History
Brook Farm: Historic and Personal Memoirs
Codman, John Thomas
Brook Farm Phalanx (West Roxbury, Boston, Mass.)
The cotillion was the ruling dance; the plain waltz and hop waltz came
in for their share of favor. The polka was new, and hardly yet danced.
What fun, what pleasure was there then in that old dining hall among
the blue tunics! There the General loomed above the rest, not in tunic,
however, but staggering about with his new acquirement, interested and
ungraceful; and the old gardener entertained us with a Danish waltz
with his fair-haired, plump, round-shouldered daughter. Now they cling
together, then swing apart, holding each other by the fingers' ends;
now they whirl and twirl in and out, and then come together and waltz
around the hall, as all gaze and wonder at the old man's suppleness.
Now the spirit of fun takes possession of all as we see Irish John
sitting quietly conversing with "Dora," and he must dance a jig! By
some chance there may be a girl of his nationality on the place to
dance with him; if not, he goes it alone--forward and back, shuffling
backward and around; then dancing up as to his partner, and having gone
through all the varied motions in grand heel-and-toe style, sits down
again or rushes out of the hall door with his giggling laugh, and a
loud round of applause for his reward.
I might go on painting various characters and personages, but could not
paint the enthusiasm that was catching--how one after another of the
older ones put on again the youthful habit long since laid off. There
was no selfishness either, in the dancing, because there was plenty of
it, and when one of the older persons essayed the graces of youth,
instead of its being looked on as an intrusion, it was applauded. I
have seen five men whose education was for the ministry enjoying
themselves on that small floor at one time.
It was the old courtliness over again. It was the spirit of chivalry
revived under a new form, and it was chivalry with interior pride
instead of exterior pride--pride of character instead of pride of
birth. Did any of these accomplished men and women deem that they
lowered themselves by dancing with those who did manual labor? If they
had, they would not have been there to do it. And did the "producers of
wealth" think that there were those who danced in their company as a
favor to them? If they had, it would have been a favor they would not
have accepted. The atmosphere was that of mutual respect and mutual
good-will.
There was no dancing of clothes-pins from the pockets of the dancers,
as Emerson has said, or if it once happened it was probably the
intentional freak of a happy schoolboy--a bit of farcical fun, too
unworthy even to be mentioned by the "Sage of Concord" in his "Historic
Notes." It was poor history and undignified in its connection.
Public-domain text, read in full here on John Shaqi.
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