Brook Farm: Historic and Personal MemoirsCodman, John Thomas
History
Brook Farm: Historic and Personal Memoirs
Codman, John Thomas
Brook Farm Phalanx (West Roxbury, Boston, Mass.)
At half past eight o'clock everything was in order. Side tables were
spread with a simple repast, and around the room were flowering plants,
azaleas, camellias, heaths, geraniums, etc. When the company had
assembled, the choir sang some glees, after which Mr. Brisbane made a
speech, and gave as a sentiment, "Unity of the Passions." Let me here
explain a little of what is meant by this sentiment. The twelve
passions are what are generally called "the human feelings or
sentiments." They are divided into the intellectual ones, the social
ones and the sensitive ones or those pertaining to the five senses.
There are three intellectual ones, viz., Analysis, Synthesis and the
Composite. These exhaust the powers of the intellect; or, in other
words, the mind separates things, puts things together and compounds
things, and that is all that it can do in its primary intellectual
capacity.
There are four social "passions," viz., Friendship, Love, Familism (i.
e., the family sentiment) and Ambition; and all our social life is
based on one or more of these four sentiments.
Then there are five sensitive passions, which are aids and attendants
of the body--"sight, smelling, hearing, touch and taste."
"The five sensitive passions tend to material riches, refinement and
harmonies. The four affective passions govern social relations and
those of individuals. Friendship tends to social equality and to the
levelling of ranks. Love regulates the relations of the sexes,
Paternity those of ages and generations; Ambition produces hierarchy of
ranks and distinctions among individuals; it establishes in society
gradations of all kinds based upon skill, merit, talent, etc.; it is
opposite in its effects from friendship."--"Social Destiny of Man,"
page 453.
The four social passions correspond to the four primary prismatic
colors of the Newtonian system, to the common chord in music and to
various other natural things. The three intellectual passions
correspond to the other three notes of the musical scale and to three
other prismatic colors; and the five sensitive passions correspond to
the five semi-tones, and also to five intermediate colors of the prism.
Now this at first sight looks very much like a scheme or a notion, but
the founder of this doctrine lays his claim to a higher judgment. He
says practically, "These are facts founded in nature by God himself."
Let me give you his own words, often reiterated: "I give no theory of
my own, I deduce. If I have deduced erroneously let others establish
the true deduction." Can words be more simple or more modest?
Public-domain text, read in full here on John Shaqi.
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