Brother Jacques (Novels of Paul de Kock, Volume XVII)Kock, Paul de
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Brother Jacques (Novels of Paul de Kock, Volume XVII)
Kock, Paul de
Brothers -- Fiction; French fiction -- Translations into English; Paris (France) -- Fiction
“Poor woman!” was heard on all sides; “what can have deprived her of her
reason? And that little girl! how beautiful she will be some day! They
are two more unfortunates, whom Monsieur Gerval has taken under his
protection.”
“My children,” said Catherine, “as soon as I learn this young stranger’s
story, I will tell it to you, I promise you; and I shall know it soon,
for my master keeps nothing from me.”
Unfortunately for Catherine, her master knew no more than she upon that
subject. To satisfy his old servant’s curiosity, Monsieur Gerval told
her how he had made Adeline’s acquaintance, and the deplorable state in
which he had found her afterward. The servant uttered exclamations of
surprise during her master’s narrative, but she declared that she would
be able to learn all the young woman’s misfortunes little by little.
Meanwhile, as she already felt drawn to love and cherish her child, she
hastened to prepare one of the pleasantest rooms in the house for them.
Adeline was given a room on the ground floor, looking on the woods; the
window was supplied with stout iron bars, and there was no danger that
she would run away from the house in one of her fits of delirium. They
left the child with her, for she seemed always to know her daughter, and
often pressed her affectionately to her heart.
“Those are the only moments of happiness which she seems still to
enjoy,” said Monsieur Gerval; “let us not deprive her of them! and let
us not rob the child of her mother’s caresses!”
Catherine undertook with pleasure to take care of the invalid and her
daughter. It was she who accompanied the young woman in her walks about
the neighborhood, when the weather was fine; and Lucas was ordered to
decorate Adeline’s room with fresh flowers every morning. It was by dint
of unremitting care and attention that Monsieur Gerval hoped to restore
peace to the hapless woman’s soul.
They knew little Ermance’s name, because her mother had called her by it
several times in her delirium; but they did not know the mother’s name,
and Monsieur Gerval had decided that she should be called Constance.
That melodious name was approved by Catherine, who declared that the
stranger’s misfortunes must be due to love. So that was the name by
which Adeline was called by the people at the house in the woods; but
sometimes Lucas, and the peasants of the neighborhood, called her simply
“the mad woman.”
Public-domain text, read in full here on John Shaqi.
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