Brother Jacques (Novels of Paul de Kock, Volume XVII)Kock, Paul de
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Brother Jacques (Novels of Paul de Kock, Volume XVII)
Kock, Paul de
Brothers -- Fiction; French fiction -- Translations into English; Paris (France) -- Fiction
“Do not spare it,” said Monsieur Gerval; “it will give you strength to
continue your journey to-morrow.”
“With pleasure, my dear monsieur; I am inclined to crook my elbow a
bit.”
Dupré made a wry face; it seemed to him that Monsieur Gervais used some
very peculiar expressions, and the more he drank, the less reserve he
manifested. Honest Gerval excused it, and was much amused by the
joviality of the peddler, which did not seem to please the old man so
much.
“Why don’t you drink, Jean?” said Gervais, nudging his neighbor; “you’re
a sad fellow! And you, my dear and honored father; you make eyes at me
that shine like salt cellars! Morbleu! I am the only one of the family
that knows how to laugh; eh, monsieur?--Monsieur de Gerval, your health
and your family’s and your lunatic’s; and yours, you old fox, who look
at us as if we’d come from Arabia Petræa.--Here’s everybody’s health! I
am not stingy!”
“Excuse him, monsieur,” the old man said to Dupré, “but when he has
drunk a little, he doesn’t know what he says.”
Dupré frowned and made no reply.
“I don’t know what I say!” cried Gervais; “ah! ten thousand dogs! you
think that, do you, my dear father? Well! you lie like the blockhead you
are! Isn’t that so, Jean? isn’t he a blockhead?”
The old man rose in a rage.
“If it weren’t for the respect that I owe to our host,” he said, “I’d
punish you for your insolence; but I take pity on the situation you’re
in; come with me, and let us not keep monsieur from retiring any
longer.”
“That’s so, that’s so, my dear father; I rather think I have been
talking nonsense, and it’s more prudent to go to bed; meanwhile I ask
you for your blessing.”
As he said this, Gervais approached the old man, who pushed him away,
and bade Monsieur Gerval good-night, apologizing again for his oldest
son’s conduct.
Lucas took candles and was about to escort the strangers to the room set
apart for them, when they heard a noise in the courtyard. The peddlers
expressed surprise and Dupré ran to the window to look out; he saw
Adeline, dressed in a simple déshabillé, holding a light in her hand and
walking excitedly through the drifts of snow in the courtyard.
“It is she, monsieur,” said Dupré to his master; “it’s very surprising
that she has left her room so late.”
“Is that the poor woman?” asked the old man.
“Pardieu! I want to see the mad woman!” cried tall Gervais; “I am
curious to know whether or not she is pretty.”
He ran at once to the window but Adeline had already returned to her
room.
“Good-night, messieurs,” said Gerval to the strangers; “I will see you
to-morrow before you leave.”
The peddlers went up to the second floor, Lucas left them a light, and
hastened down to his room, which adjoined the kitchen, taking care to
barricade the door, from top to bottom, as Dupré had advised.
The latter, left alone with his master, for the cook had already
retired, communicated to Monsieur Gerval his observations on the subject
of the strangers.
Public-domain text, read in full here on John Shaqi.
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