Brother Jacques (Novels of Paul de Kock, Volume XVII)Kock, Paul de
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Brother Jacques (Novels of Paul de Kock, Volume XVII)
Kock, Paul de
Brothers -- Fiction; French fiction -- Translations into English; Paris (France) -- Fiction
One man observed what Edouard no longer observed; he followed Adeline,
without her knowledge, he admired her charms, he divined those which he
could not see and devoured with his eyes all that he could see. A
violent passion had assumed the mastery of him; he was simply waiting
for a favorable moment to try to induce her to share his passion.
However, there was very little hope that he could win her love, and he
knew it. Adeline was virtue personified; she was absolutely devoted to
her husband and to her child. But there was no obstacle, no barrier,
that the man who adored her had not resolved to overturn. Nothing can
check the impetuous torrent swelled by heavy rains; nothing could
discourage his love if we may thus name the unbridled desires, the
delirium, the jealousy that for a long time had filled his heart. He had
decided to attempt everything, to undertake everything, to dare
everything, in order to triumph over Adeline; his passion, long
concealed, was only the more violent on that account; the fire which
devoured him was likely to consume everything when it should break
forth. But who was this mysterious man, whose love thus far had remained
a secret? You know him, reader, and I will wager that you have already
guessed his name.
Edouard, who had plunged deeper than ever into business, of which he
understood nothing, but which seemed to him all the more attractive on
that account,--Edouard hired a handsome house, a fashionable carriage,
bought magnificent furniture of the latest style, furnished a very
elaborate office, with shelves on all sides, on which were pasteboard
boxes, empty to be sure, but soon to contain the documents relating to
the transactions which could not fail to come to his hands in a
multitude. Pending their arrival, our man hired a clerk, who passed his
time reading the _Gazette_ and cutting quill pens.
Adeline was installed in her new abode. She looked at everything, sighed
and held her peace. Madame Germeuil, on the contrary, burst forth into
reproaches, and had a violent scene with her son-in-law. She predicted
that he would ruin himself. Edouard was vexed and lost his temper, and a
rupture followed. Madame Germeuil left her son-in-law’s house, swearing
never to see him again; she refused to be moved by her daughter’s tears,
tears for which the good woman blamed herself in the depths of her
heart; she realized that it would have been better to give her daughter
to a man of firm but sensible character than to a weak, irresolute
creature, who had not enough intelligence to admit his failings, and too
much obstinacy to repair them. But the harm was done.
Public-domain text, read in full here on John Shaqi.
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