Stuart had two distinct artistic periods. His English work shows plainly the influence of his English contemporaries, and might easily be mistaken, as it has been, for the best work of Romney or of Gainsborough. But his American work, almost the very first he did after his return to his native soil, proclaims aloud the virility and robustness of his independence. The rich, juicy coloring so marked in his fine portraits painted here, replaces the tender pearly grays so predominant in his pictures painted there. The delicate precision of his early brush gives way to the masterful freedom of his later one. His English portraits might have been limned by Romney or by Gainsborough, but his American ones could have been painted only by Gilbert Stuart. This greatest of American painters died in Boston, July 27, 1828, and was interred in an unmarked grave in the Potter’s Field. XIII _David Porter_ _United States Navy_ While this country and the world are yet enthralled by the magical victories won by the American navy over the fleets of Spain, it is instructive to recall how the exploits of Uncle Sam’s boys, on the seas, have always bordered on the marvellous. The doings of Paul Jones in the Revolutionary War, and of Truxtun in the war with France; of Decatur and of Preble in the war with Tripoli; of Bainbridge and of Stewart, and of Hull and of Perry, in the second war with England; and of Farragut and of Jouett and of Cushing in the war between the States, seem, each one, too incredible to have a like successor, yet nothing heretofore in naval warfare has approached the victories of Dewey and of Sampson. With all these glittering names, we have still another name the peer of the best, possessing in addition the spur of naval heredity--the name of Porter.