Browning and His CenturyClarke, Helen A. (Helen Archibald)
Philosophy
Browning and His Century
Clarke, Helen A. (Helen Archibald)
Browning, Robert, 1812-1889; Nineteenth century; Poets, English -- 19th century -- Biography
"The man is witless of the size, the sum,
The value in proportion of all things,
Or whether it be little or be much.
Discourse to him of prodigious armament
Assembled to besiege his city now,
And of the passing of a mule with gourds--
'Tis one! Then take it on the other side,
Speak of some trifling fact,--he will gaze rapt
With stupor at its very littleness,
(For as I see) as if in that indeed
He caught prodigious import, whole results;
And so will turn to us the bystanders
In ever the same stupor (note this point)
That we, too, see not with his opened eyes."
The import of an event is everything. Large imports may lurk more surely
in the awakening of some obscure soul than in the pageantry of law
bringing a tardy and wholly inadequate measure of justice to humanity.
Though Tennyson talks of the "far-off divine event" he has no burning
conviction of it and does not ride toward it with triumph in his eye and
flaming joy in his soul. As he ambles along, steeping himself in the
science of the time, its revelations make him nervous; he falls into doubt
from which he can only extricate himself by holding on to belief, a very
different thing from Browning's vision.
Thus it happens that Tennyson voices the feelings of an immense class of
cultured people, who have gone through the century in the same ambling
fashion, a prey to its fears, intellectual enough to see the truths of
science, but not spiritual enough to see the import of the dawn of the new
day.
Tennyson, then, quite of and in his time, would desire above all things to
appeal to it as it appealed to him. He waxes enthusiastic over
conventional politics, he treats his social problems so entirely in
accordance with the conventions of the day that they are not problems at
all, and he is quite in love with the beauty of aristocratic society,
though he occasionally descends to the people for a subject. These are all
entirely sufficient reasons for his popularity as a poet during his life,
further emphasized by the added fact that having no subject matter (that
is thought-content) wherewith to startle the world by strangeness, he took
the wiser part of delighting them with his exquisite music.
Public-domain text, read in full here on John Shaqi.
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