Browning and His CenturyClarke, Helen A. (Helen Archibald)
Philosophy
Browning and His Century
Clarke, Helen A. (Helen Archibald)
Browning, Robert, 1812-1889; Nineteenth century; Poets, English -- 19th century -- Biography
An occasional allusion or poem like this makes us aware from time to time
of Browning's constant sympathy with any movement which meant good to the
masses. Even if he had not written near the end of his life "Why I am a
Liberal," there could be no doubt in any one's mind of his political
ideals. In "The Lost Leader" is perhaps his strongest utterance upon the
subject. The fact that it was called out by Wordsworth's lapse into
conservatism after the horrors of the French Revolution had brought him
and his _sans culotte_ brethren, Southey and Coleridge, to pause, a fact
very possibly freshened in Browning's mind by Wordsworth's receiving a
pension in 1842 and the poet-laureateship in 1843, does not affect the
force of the poem as a personal utterance on the side of democracy.
Browning, himself, considered the poem far too fierce as a portrayal of
Wordsworth's case.[2] He evidently forgot Wordsworth, and thought only of
a renegade liberal as he went on with the poem. It was written the same
year that there occurred the last attempt to postpone the passing of the
Anti-Corn Law Bill, when the intensity of feeling on the part of all who
believed in progress was at its height, and the bare thought of a deserter
from Liberal ranks would be enough to exasperate any man who had the
nation's welfare at heart. That Browning's feeling at the time reached the
point not only of exasperation but of utmost scorn for any one who was not
on the liberal side is shown most forcibly in the bitter lines:
"Blot out his name, then, record one lost soul more,
One task more declined, one more footpath untrod,
One more devil's triumph and sorrow for angels,
One more wrong to man, one more insult to God!"
Browning speaks of having thought of Wordsworth at an unlucky juncture.
Whatever the exact episode which called forth the poem may have been, we
are safe in saying that at a time when Disraeli was attacking Sir Robert
Peel because of his honesty in avowing his conversion to free trade, and
because of his bravery in coming out from his party, in breaking up his
cabinet and regardless of all costs in determining to carry the bill or
resign, and finally carrying it in the face of the greatest odds--at
such a time, when a great conservative leader had shown himself capable of
being won over to a great liberal principle; the spectacle of a deserter
from the cause, and that deserter a member of one's own brotherhood of
poets, would be especially hard to bear.
One feels a little like asking why did not Browning let his enthusiasm
carry him for once into a contemporary expression of admiration for Sir
Robert Peel? Perhaps the tortuous windings of parliamentary proceedings
obscured to a near view the true greatness of Peel's action.
Public-domain text, read in full here on John Shaqi.
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